91ŃÇÉ«

Skip to main content Skip to local navigation
Home » Current Students » Degree Requirements

Degree Requirements

MA

This option offers the broadest exploration of a diversity of ideas, literature, and theories. Courses are offered in all three terms: fall, winter, summer.
24 credits of course work.

18 credits of coursework for exposure to a diversity of ideas, literature, and theories
+ a Major Research Paper of 50 to 75 pages (6 credits).
The Major Research Paper affords students the opportunity to pursue their own original, critical research project under the supervision of a faculty member of the GPE.
A structured proposal is required and must be approved by both the supervisor and the Graduate Study Committee

12 credits of coursework
+ a Master’s Thesis (12 credits).
The Master’s Thesis requires the highest level of original, critical research and analysis. Under the supervision of a faculty member, the thesis should be 100-120 pages and must be defended orally in front of a committee of external examiners. Prior to undertaking the thesis, a formal proposal is required and must be approved by both the supervisor and the Graduate Study Committee.

Note: Given its length and difficulty, the MA Thesis usually necessitates one or more terms of enrolment at the student’s expense beyond the regular degree length of three terms.

PhD

Fulfilling the PhD degree requires 18 credits of coursework to be completed. Of these 18 credits, at least 12 credits are normally taken in the PhD I year, and the remaining in the PhD II year.

All PhD candidates are required to demonstrate some acquaintance with pre-1798 writing. This may be done either by:

(a) presenting evidence of successful completion of 6 credits (2 semesters or a full course) based on pre-1798 writings at the MA level
OR
(b) successful completion of at least 3 credits based on pre-1798 writings during the PhD I or PhD II years, the assumption being that once at the PhD level, the student has accumulated the equivalent of at least 3 credits worth of pre-1798 material.

Literary Research Methods

This course is required for PhD candidates who did not take a similar or “Research Methods” course in their MA. Consult the Program Director for additional information.

Second Language

Any student of English Literature beyond the MA level must have some working competence (at least reading comprehension/translation) in at least one language other than English.

All PhD students are required to demonstrate a reading knowledge of French (or of a language other than English demonstrably relevant to their approved course of study), by passing the program's translation exam.

Dissertation Proposal Seminar

  • Enrolment is limited to students who have passed their Major Field Examination and their Dissertation Lists Discussion

The material objective of this mandatory, pass/fail, term’s worth of workshops offered each winter is the production by each student of a dissertation proposal. Students’ proposal drafts are the focal texts each week for critical discussion. The workshop does not seek to circumvent or override committee supervision and requires supervisory committees to work with students as they draft their proposals in the seminar. The educational objective of the seminar is the development of a thought/writing process specific to proposing critical ideas in an academic format. Students are encouraged to write a clear and sufficiently detailed proposal outlining the topic, the context(s) in which it arises, the theory and methodology sustaining its research and elaboration, and its contribution to the field. The workshop also aims to have students internalize a form and logic of proposing intellectual ideas, their development and appropriate research methods, and the implications of those ideas for other purposes, such as grant applications, post-doctoral fellowships, and book prospectuses.

Professionalization Workshops

At strategic points in their doctoral studies, candidates will attend workshops focusing on topics of import to their intellectual and professional development. Students must complete all seven different workshops, held in two series.

ANNUAL WORKSHOPS
The first is a set of three annual workshops which students must complete in the first two years of the PhD:

  • Applying for Funding
  • Teaching Strategies: TA workshop
  • Preparing for the Comprehensive Exams

PROFESSIONALIZATION WORKSHOPS
The second series involves four professionalizing workshops of interest to more advanced doctoral candidates, but open to all. These workshops are offered either every year or every other year. All four must be taken before graduating. They are of intrinsic interest and very useful – many students attend again and again!

  • Professionalization Workshop I: Academic Conferences and Publications
  • Professionalization Workshop II: Alt-academic Career Paths
  • Professionalization Workshop III: The Academic Job Market
  • Professionalization Workshop IV: Writing across Genres

All PhD students are required to pass a Major Field Examination and participate in a Dissertation Lists Discussion.

Major Field

The Major Field examinations can be taken in areas defined by period, nation, genre, or special subject. One’s “Major Field” should be thought of as “the literature in which one wants to specialize and about which one will have something of significance to say/write.” It holds much of the literature one will teach and continue to study over the length of a career. A “Major Field” is one’s ground.

Major Field Reading Lists

There are basic reading lists for fields available in the Programme Office. These basic lists may be modified to suit the interests of individual candidates. Each list requires students to choose a total of 60 texts. A substitution of 20% is permitted for all reading lists for the purposes of tailoring the lists to the interests of the student and for working around texts the student may already know well. Such substitutions are to be determined by agreement between the candidate and the candidate's supervisor and are subject to approval by the Graduate Study Committee.

We define “text” as the number of poems, chapters, or articles deemed by field specialists as sufficiently representative of an author’s work or period. To ensure relative consistency in total number of pages per reading list, we consider a “text” to mean a single novel or play, or approximately eight-to-ten lyric poems of some length, or three chapters from a larger critical volume. 

Students begin reading for their Major Field in their first term and take the examination in their fourth term. They prepare for the examination by working with a supervisor in the field, meeting from time to time as agreed to discuss the works on a prepared reading list.

Period

(mainly, but not only, British):
Medieval Literature* (to 1500) medieval reading list (.pdf)
Renaissance Literature (1485 to 1660) renaissance reading list (.pdf)
Restoration & 18th Century Literature (1642 to 1798) restoration reading list (.pdf)
Romantic Literature (1789 to 1840) romantic reading list (.pdf)
Victorian Literature (1832 to 1901) victorian reading list (.pdf)
Modern Literature (1885 to 1950) modern reading list (.pdf)
Contemporary Literature (1945 to present) contemporary reading list (.pdf)
*Students are advised that an introductory graduate course or, at the least, an upper-level undergraduate course in Old English, is deemed to be an almost essential preparation for the Medieval field and examination.

Nation

Canadian Literature Canadian reading list (.pdf)
Post Colonial & Diasporic Literature post colonial reading list (.pdf)
U.S. Literature Before 1900  pre 1900 reading list (.pdf)
20th Century U.S. Literature 20th Century reading list (.pdf)
World Literature reading list (.pdf)

Subject

Theory theory reading list (.pdf)
Drama drama reading list (.pdf)
Poetry poetry reading list (.pdf)
Prose Narrative prose narrative reading list (.pdf)

Students begin reading for their Major Field in their first term and take the examination in their fourth term. They prepare for the examination by working with a supervisor in the field, meeting from time to time as agreed to discuss the works on a prepared reading list.

Examinations in the Major Field

Candidates take the Major Field examination in Term 4 (end of Fall term, Year II). The examination has two parts, written and oral. The written exam comprises one half-day sitting and is followed, normally within one week, by a two-hour oral examination. In the examination, candidates will be expected to demonstrate comprehensive knowledge of the designated field as well as an original, critical understanding of the field and its constitutive texts. The written examination contains questions concerning generic, historical, critical, and theoretical issues pertinent to the field. The oral examination comprises questions formulated in relation to the candidate’s written answers. Impromptu follow-up questions ensue. Generally, candidates are asked to move from their written responses to other texts on the list, so as to demonstrate truly comprehensive knowledge.

Dissertation Lists Discussion

This milestone requires students to isolate three sub-fields informing their dissertation topic and find appropriate supervision for each field, with the understanding that these supervisors may form the student’s dissertation committee. The student will establish three lists of 20 texts chosen in consultation with each area supervisor to represent fields of inquiry and areas of knowledge useful for developing the dissertation and proposal. Together, this list of 60 texts will help generate and further develop ideas of significance for exploration in a dissertation.

We define “text” as the number of poems, chapters, or articles deemed by field specialists as sufficiently representative of an author’s work or period. To ensure relative consistency in total number of pages per reading list, we consider a “text” to mean a single novel or play, or approximately eight-to-ten lyric poems of some length, or three chapters from a larger critical volume. A text cannot appear on the DLD if it has been included on the student’s Major Field list.

In consultation with the supervising professors, students must also generate a brief rationale (up to one page, single-spaced) for their choice of fields and texts, articulating the kind of knowledge they seek to gain from the fields and texts, and to what end it will be put in the dissertation. The rationale proposes fields of overlapping inquiry, texts representative of those fields, and the relation of the fields themselves. The Lists and Rationale are to be submitted for approval to the Graduate Study Committee (following the program’s formatting guidelines) through the Program Administrator a minimum of 6 weeks prior to the Discussion date.

The milestone concludes with a 2-hour Dissertation List Discussion, between the student and all three list supervisors, meant to explore and review the student’s knowledge of texts, and their readiness to begin the dissertation project. This discussion is to be arranged by the three area supervisors, and to be held by the end of term 7.

Reading Lists

  • Three reading lists of approximately 20 texts, each representing fields of inquiry and areas of knowledge useful for developing the dissertation and proposal.
  • By “text,” we mean the number of poems or articles deemed by field specialists as sufficiently representative of an author's work or period. As on some current field lists in the GPE, eight-to-ten lyric poems of some length add up to “one text,” for instance, as would three essays or articles.  A novel or a play (other than very short ones) would also constitute “one text.”
  • A text cannot appear twice on any of the lists, including that of the Major Field.
  • Lists are drawn up in consultation with a committee of professors whose areas of demonstrable teaching and/or research qualify them to supervise in those areas.
  • In consultation with the supervising professors, students must also generate a brief rationale (up to one page, single-spaced) for their choice of fields and texts, articulating the kind of knowledge they seek to gain from the fields and texts, and to what end it will be put in the dissertation.  The rationale, therefore, proposes fields of inquiry, texts representative of those fields, the relation between texts within and across fields, and the relation of the fields themselves.  In colloquial terms, it articulates what one feels one needs to know in order to get a footing in the dissertation topic, and thus the rationale also suggests what one hopes to produce with and from these texts.  The lists and texts are not exhaustive, but they must be justified as necessary.
  • Please read our Reading List formatting guidelines (pdf).

See “Course work” then “Dissertation Proposal Seminar” above.

All PhD candidates are required to produce a dissertation proposal following FGS Guidelines (max. 3500 words with provisional bibliography). The proposal must be approved by the student’s supervisor and two additional supervisory committee members. Once approved, the GPD signs off and sends it to FGS to be recorded. FGS requires that doctoral students have a full supervisory committee (signatures on form) by the end of Term 8. Submitting an approved dissertation proposal at the same time is advisable. The end of term 9 is the Program’s final deadline for proposal submission.
Consult the PhD Handbook for more information and a checklist for structuring the proposal.

Dissertations take on different flavours, depending on the thesis, the field itself, and the advice of the candidate's supervisory committee.

The page count guideline is broad: 200-400 pages. Consult the for all guidelines and requirements concerning all aspects of the dissertation.

Your dissertation proposal is your direction, your supervisory committee is your guide, and the field/interest groups are your support structures. Don't hide from your committee or your peers.

Diploma Requirements

Diploma students must successfully complete: 

  1. One three-credit core workshop course in fiction or poetry, in addition to regular degree requirements. Prior to the start of classes, students interested in taking creative writing courses are asked to submit a portfolio. Only those who have received the course director’s approval are granted permission to enrol. 
  1. The Capstone Creative Project, completed under the supervision of a faculty member with expertise in creative writing. The project will comprise a coherent body of work (prose projects 40-60pp double-spaced; poetry projects, approximately 25-40pp single-spaced). Details of the Capstone Creative Project can be found below.
  1. The Exegetic Paper, an introductory literary-critical essay (approximately 10-15 pages) that contextualizes the Capstone Creative Project. The paper will provide an outline of the project’s process and development, situate it within a landscape of comparative contemporary literature(s) with reference to relevant critical, literary and theoretical texts, and detail potential next steps for its refinement toward possible publication.

Our core courses in fiction and poetry are open to all graduate students, with the following notations: 

  • Students interested in taking GS/EN 6779 3.0 Seminar-Workshop in Creative Writing: Fiction must first submit a portfolio of approximately 10-20 pages of fiction writing. Enrolment is only granted with the instructor’s permission.
  • Students interested in taking GS/EN 6776 3.0 Seminar-Workshop in Creative Writing: Poetry must first submit a portfolio of approximately 8-10 pages of poetic writing. Enrolment is only granted with the instructor’s permission.
  • Students enrolling in either the Poetry or Fiction Workshop have the option for grades to be weighted toward either their academic or creative work. Students pursuing the Graduate Diploma in Creative Writing must choose the creative track for grading.

 Capstone Creative Project 

Students complete the Capstone Creative Project (CCP) under the supervision of a member of a faculty member with expertise in creative writing.

Capstone Creative Projects will take no more than two academic semesters to complete and can begin at any point during the term. They must be completed before students graduate from their respective graduate degree program.

Normally a supervisor is secured before the CCP is begun. The student will submit a form declaring their enrollment in the Creative Writing Diploma and a proposal of 200-300 words (approved by their supervisor) to the Creative Writing Diploma coordinator prior to the inception of their CCP.

Students should meet with their supervisor several times per term to share and discuss their work in progress. When the CCP is complete, it will be read and assessed by the supervisor and one other reader selected from among Creative Writing faculty members with relevant expertise. The readers will agree on an appropriate grade.

To ensure that the CCP is graded and finalized on time, students must submit the final draft to their supervisor no later than the first day of the final month of the final term (i.e., for students planning to finish their degree in the Summer term, that would mean August 1st).

Graduate Diploma in World Literature Requirements

  • A compulsory three-credit course on the history and practice of Comparative and World Literature, to be offered initially in rotation among the Graduate Programs of English, Humanities, and Translation Studies. This is a new course entitled “Comparative and World Literature Seminar: History and Practice.” This course will be in addition to the requirements of an M.A. or Ph.D. degree in English or Humanities, or of an M.A. in Translation Studies.
  • A capstone, Diploma Research Paper, elaborated with the advice of a Professor with specialization in the topic to be explored. This paper will further develop expertise in World Literature, and require that students demonstrate the interdisciplinary, cross-cultural research and critical skills acquired throughout their World Literature Diploma studies. This is also an additional requirement.
  • Three course-related research papers with a world literature perspective and content; or an M.A. major research paper or thesis; or a Ph.D. dissertation with a World Literature approach.  While such work will count for both the Diploma and the Degree Program, students enrolled in the Diploma will need to supplement their M.A. or Ph.D. requirements with work done from a World Literature perspective throughout their degree studies: the diploma augments the degree requirements and allows students to receive accreditation for the added value of this specialized training. An English Literature student taking a course in Contemporary Canadian Fiction who wishes that a research paper written for this course also count towards the Diploma in World Literature, for example, would have to supplement an analysis of Michael Ondaatje’s Toronto novel In the Skin of a Lion with a world literature critique of the novel’s translation of the epic of Gilgamesh, and trace other instantiations of this epic in contemporary fiction (such as Australian Joan London’s Gilgamesh), to analyze how this world literature perspective alters and enriches the meaning of the “local” novel on the building of Toronto in the early twentieth century.
  • It is recommended, but not required, that students complete a study period, research stay, or an internship in a country pertinent to their projects in World Literature. The Graduate Program in English has an exchange program with Mainz University; 91ŃÇÉ« has an agreement with every university in France for “co-tutelle” doctorates, and the French Consulate in Toronto offers scholarships to help finance such cooperative projects; 91ŃÇÉ« is an Institutional Affiliate of the Institute for World Literature, which meets for a month in cities across the globe every summer. More generally, 91ŃÇÉ« International has a large number of exchange agreements, summer programs, and internships that are available to graduate students.

Students will be provided with a list of such opportunities for studies and internships abroad, and encouraged to take advantage of them.

The Capstone Diploma Research Paper

The Capstone Diploma Research Paper requires that students demonstrate the interdisciplinary, cross-cultural research and critical skills acquired throughout their World Literature Diploma studies in an article-length essay, which students may choose to submit to a journal for eventual publication.

Students are allowed and encouraged to expand essays written for the Diploma in the core course or in their other courses, or to combine two essays into a coherent, sustained argument. For example, a student who presented a theoretical or methodological discussion in the paper for the core course, or for a theory course, could decide to expand this essay with literary analyses, or to use literary analyses performed in another essay as illustration of this theoretical discussion. Students can also choose to write an entirely new paper for the Capstone Research Paper.

The Diploma Research Paper will be written under the guidance of a faculty supervisor and verified by the diploma coordinator.

Regular Track Through the Program

Progress through Terms 1–9 is structured to enable timely progress toward FGS’ firm Term 9 deadline for all degree milestones to be completed (other than the dissertation). Any changes to a student’s progress through term 9 should reflect exceptional circumstances and must be approved through consultation with supervisor and the GPD. FGS Term 9 deadline is firm.

Term 1 (Fall)

  • Coursework
    EN 6000 0.0 (if applicable)
  • Choose major field
  • TA hours

Term 2 (Winter)

  • Coursework
  • Meet with in-field professors to find a good fit for major field exam supervision
  • TA hours

Term 3 (Summer)

  • Coursework
  • Read for major field exam

Term 4 (Fall)

  • Finish any remaining coursework
  • Major field exam
  • Meet with professors to find a good fit for Dissertation supervisory committee
  • TA hours

Term 5 (Winter)

  • Choose Dissertation supervisor
  • Meet with professors to find a good fit for Dissertation supervisory committee
  • FGS deadline for signed dissertation supervisor form. Students must have a dissertation supervisor declared and on file with FGS by the end of Term 5
  • TA hours

Term 6 (Summer)

  •  Prepare for Dissertation List Discussion
  • Dissertation Lists Discussion (before the end of 7th term)

Term 7 (Fall)

  • Prepare for Dissertation List Discussion
    Dissertation Lists Discussion (before the end of the term)
  • TA hours

Term 8 (Winter)

  • Dissertation Proposal Workshop
    Students who have not completed their Dissertation List Discussion will not be allowed to enrol in the Proposal Workshop
  • Establish Dissertation Supervisory Committee
    FGS Deadline for signed supervisory committee form. Students must have a dissertation supervisory committee declared and on file with FGS by the end of Term 8
  • TA hours

Term 9 (Summer)

  • Dissertation proposal deadline
  • FGS Deadline for proposal to be submitted and approved by FGS is the end of term 9. Full-time doctoral students are expected to have their coursework, comprehensive examinations, and dissertation proposal complete by the end of term 9. Failure to do so will result in a registration block on the student’s account at the end of Term 9.
    (This rule applies to students who enter the PHD program September 1, 2023, or later)

Term 10 (Fall)

  • Write dissertation
  • TA hours

Term 11 (Winter)

  • Write dissertation
  • Minimum: One chapter reviewed by committee
  • TA hours

Term 12 (Summer)

  • Write dissertation

Term 13 (Fall)

  • Write dissertation
  • Minimum: Two chapters reviewed by committee
  • TA hours

Term 14 (Winter)

  • Write dissertation
  • TA hours

Term 15 (Summer)

  • Final editing of dissertation
  • Last term of PhD Fellowship (TAship is the only source of funding for year 6 students)

Term 16 (Fall)

  • Defend dissertation
  • Full TAship funding only in Year 6
  • TA hours
    No Fellowship funding

Term 17 (Winter)

  • Defend dissertation
  • Last term of eligibility for TAship
  • TA hours
    No Fellowship funding

Term 18 (Summer)

  • Defend dissertation
  • If a successful defence has not yet occurred, the student must withdraw at the end of term 18
  • No Summer funding

Learn More

The Graduate Program in English at 91ŃÇÉ« is an exciting environment to pursue innovative, socially engaging, career-ready education. Contact our Graduate Program Assistant to learn more.