"The series is��open to the 91��ɫ community, as well as��members of the��public, and makes for the best Tuesday night date I can think of," says 91��ɫ humanities Professor Gail Vanstone. "Where else are you going to hear some of Canada's most exciting literary figures for free other than attending the Canadian Writers in Person Lecture��series."

The series features 11��Canadian authors who will present their work,��respond to questions from the audience and��sign books. All��readings are part of��a degree credit course on Canadian literary culture offered by the Culture & Expression Program in the Faculty of Liberal Arts & Professional Studies. You don't have to enrol in the course to attend the readings.

This year features an eclectic mix of new and established writers.

Author Zoe Whittall has been called “…the cockiest, brashest, funniest, toughest, most life-affirming, elegant, scruffy, no-holds-barred writer to emerge from Montreal since Mordecai Richler…” by The Globe and Mail will kick off the reading series on Tuesday. She will read from the��Lambda award-winning Holding Still For As Long As Possible. Award-winning poet Karen Solie will present her��collection of poetry, Pigeon.��

Don McKay has published 10 previous works of poetry and is the��winner of��several awards, including the 2011 Griffin��Poetry Award and��two Governor General’s Literary Awards for Poetry. He will read from his newest collection, Paradoxides.��James Bartleman, a Canadian diplomat, author and��the 27th Lieutenant Governor of Ontario (2002 to 2007), will read from his��compelling debut novel, As Long as the Rivers Flow, which explores the consequences of Canada's residential school system. 91��ɫ alumna Suzanne Desrochers returns to her alma mater to read from her bestselling novel,��Bride of New France, a rich and imaginative novel about a young French woman who must survive the harsh landscape of the new world.��

Suzette Mayr is the author of four novels. She will��read from��Monoceros, which was long listed for the 2011 Scotiabank Giller Prize.��The Perfect Order of Things is the title of Canadian journalist David Gilmour's book. It��speaks to a man's journey back in time to reexamine those critical moments that created him. 91��ɫ Professor��and poet Patricia Keeney will read from First Woman, a collection of poetry that continues her personal journeys inward and across the world.

Renowned Canadian writer Esi Edugyan will read from her��award-winning novel,��Half Blood Blues,��an electric, heart-breaking story about music, race, love and loyalty. It��won the��2011 Scotiabank Giller Prize for Fiction and was shortlisted for the 2011 Man Booker Prize. Patrick deWitt will read from his��second book, The Sisters Brothers, which��was also shortlisted for the 2011 Man Booker Prize, the 2011 Scotiabank Giller Prize, the Rogers Writers' Trust Fiction Prize and the 2011 Governor General's Award for Fiction (English language).

Irish born playwright, author and literary historian Emma Donaghue��will read from her bestselling novel Room, which won the Rogers Writers' Trust Fiction Prize. Room was shortlisted for the 2010 Man Booker Prize and the 2010 Governor General's Literary Awards and was the winner of the 2010��Irish Book Award.

For more details and the complete schedule of writers’ appearances, visit the Canadian Writers in Person website or��contact Professor Gail Vanstone at ext. 33957.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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Theatre Glendon theatre students are pushing the boundaries of audience interaction in their upcoming�� production,�� , opening Feb. 28.

Inspired by the Occupy movement and adapted from Peter Weiss’ Marat/Sade by student Dan Pelletier, this play explores class struggle and questions the nature of revolution. Directed by Glendon theatre instructor and award-winning director Aleksandar Lukac, it will take its audiences deep into the struggles of the 99 per cent.

Here’s the unusual bit. Every performance will be on the Internet. And – a very big and – viewers will be invited to send comments via and about the production. Those comments will be projected in real time onto the tent city set, raw and uncensored, and the student actors will answer them on stage during the performance.

“This hasn’t been done before that I know of,” says Lukac. Known for mounting , especially in his native Serbia, Lukac has alerted Toronto theatre companies about this experiment so they can witness what happens. The tweets and Facebook messages “will be a distraction or a help. Once we open the gate anything can pass through. It will show who’s watching, anyway.”

The play runs Feb. 28 through March 3 at Theatre Glendon, Glendon campus, at 7pm. Tickets are $10 for adults, $5 for students. Call the box office for tickets: 416-487-6822.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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Trombonist Ron Westray, Oscar Peterson Chair in Jazz Performance in 91��ɫ’s Department of Music, returns to Toronto’s Massey Hall on Thursday, Feb. 23 for an innovative youth outreach program.

He will lead “Rhythm Counts”, an invitational workshop for young people, just before his former bandmates, the Jazz at Lincoln Center Orchestra led by Wynton Marsalis, take centre stage to perform the highly-anticipated .

Ron Westray

Called , the arts and education outreach program presented by the Corporation of Massey Hall and Roy Thomson Hall provides complimentary tickets for selected concerts to youth who might otherwise be unable to attend. The program, now in its 13th season, aims to enhance and broaden students’ musical horizons by exposing them to world-class performers and related pre-concert��demo-workshops by noted local performers/educators.

Westray has invited 91��ɫ music grad and multiple Juno Award-winning jazz saxophonist Mike Murley to co-host the 30-minute workshop, to be held in Massey Hall’s intimate Century Lounge. The session is designed to demonstrate the language of jazz and the art of improvisation, to prepare the students for the mainstage performance. Together, Westray and Murley will present an informal mix of commentary, musical demonstrations and historical highlights, followed by a Q&A. Tickets for the workshop and concert have been distributed to more than 150 music students, ranging in age from 12 to 17, at selected schools and community groups in the Greater Toronto Area.

“I was thrilled to be invited to take part in Share the Music and connect with these young people,” said Westray. “I come from the performance world, and it’s always a pleasure to have the opportunity to play, plus the chance to talk about the music with a fresh audience.”

Westray in performance at the Lincoln Arts Center

“We’re delighted to have Professor Westray on board for this event,” said program coordinator Laraine Herzog. “He’s a perfect fit, seeing as he was lead trombonist with the Jazz at Lincoln Center Orchestra for so many years. His reputation as an incredible performer and educator precedes him – not to mention his connection with Oscar Peterson, a true Canadian musical hero, through his position at 91��ɫ.”

Prior to joining 91��ɫ, Westray toured internationally with the Jazz at Lincoln Center Orchestra for more than a decade, including a number of performances at Massey Hall.

“Wynton [Marsalis] deserves every honour for his immense accomplishments in building the JLCO, its reputation as one of the finest jazz ensembles in the world, and its remarkable touring reach,” said Westray. “I was in the audience when they played Massey Hall last year, and it was like seeing my family from the other side of the fourth wall. I’m looking forward to seeing these guys play once again, and to helping a new young audience develop a deeper connection to a band and a musical repertoire I feel so strongly about.”

As well as a performer, Westray is an accomplished composer and recording artist. His commissions for the Lincoln Center Jazz Orchestra include the monumental score Chivalrous Misdemeanors – Select Tales from Don Quixote (2005) and arrangements of the works of Charles Mingus and Ornette Coleman. He is well known for his collaborations with Wycliffe Gordon, and has also appeared in concert with such luminaries as Ray Charles, Bob Dylan, Willie Nelson, Stevie Wonder, Benny Carter, Dewey Redman, Roy Haynes, Randy Brecker and a host of other pre-eminent artists. A regular on the New 91��ɫ City club circuit, he has played premier jazz venues such as the Village Vanguard, Blue Note, Sweet Basil’s, Iridium, Jazz Standard and Smalls, and is a standing member of the Mingus Band. In 2009, he joined 91��ɫ’s music department, where he teaches in the jazz program and co-directs the 91��ɫ Jazz Orchestra.

Next month, Westray is participating as soloist and clinician at the prestigious Savannah Music Festival. On March 25, he appears as guest soloist with the 91��ɫ Wind Symphony, performing Rimsky-Korsakov’s Trombone Concerto under the baton of 91��ɫ music Professor William Thomas.

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playGround, the annual juried fringe festival of 91��ɫ’s Department of Theatre, celebrates its 20th season with two dynamic programs running Feb. 14 to 17 in the Joseph G. Green Studio Theatre,��139 Centre for Film & Theatre at91��ɫ’s Keele campus.

Well-known for its uncurbed spirit and risk-taking mindset, playGround is a student-produced seedbed for the next generation of theatre artists. It showcases original works conceived, written, performed and produced by up-and-coming playwrights, directors, designers and actors from all levels of91��ɫ’s undergraduate theatre program.

Meg Moran and Meara Tubman-Broeren, both fourth-year students studying devised theatre in the Department of Theatre’s Creative Ensemble, are the co-artistic directors of this year’s edition of playGround. With the help of a peer jury, they selected the most promising ideas from the almost four dozen proposals submitted.

“Not only does the festival showcase the work of emerging artists of our generation and community, it also deals with what’s important to us as students right now,” said Tubman-Broeren. “What unifies all the pieces is our mandate, which is to foster innovative and experimental theatrical work which engages its audience and ignites thought and discussion.”

“Producing the festival has been a challenging and lengthy process, with its share of ups and downs, but overall it’s been very rewarding,” said Moran. “This is a unique opportunity for us as students to work so independently. It’s been a real learning experience for Meara and me.”

The old adage:, “when you want a job done well, give it to a busy person”, rings true for this duo. In addition to their work with playGround, they are collaborating with other members of the fourth-year Creative Ensemble on a show slated to run March 27 to 30.�� Moran is also assistant-directing the upcoming Theatre @ 91��ɫ production of Edward Bond’s Restoration, which will run March 18 to 24.�� And Tubman-Broeren is performing in a physical theatre adaptation of Shakespeare’s King John, which will be playing downtown this summer.

playGround 2012 ranges from light comedies to dark dramas, and from staunch realism to dance theatre.��Here’s an overview of the featured productions:

Series A��

Meat is a dystopic romance in which a young doctor’s morality is put to the test when his work forces him to explore, sacrifice and examine what it truly means to be human.��

Belly Doll is imagined and choreographed as a unique melding of traditional belly dance and theatrical performance.��

The Doorstep – In every relationship, there are conversations. These conversations are intimate, emotionally driven, and personal, and have the potential to be the beginning, or the end, of something beautiful.��

Old Town explores the nature of familial responsibility and sibling dynamics framed within the question: When is it time to grow up?��

The Watching Game is a raunchy comedy revolving around people watching.��

A Working Woman follows the story of a prostitute on the precipice of a life-changing decision.��

Emerging Artists Collective – “A lowbrow commentary on highbrow art”, exploring the challenges and pitfalls faced by the current generation of young artists.��

Womb - What if we weren’t told the whole story? Before there was Adam and his wife, Eve, there was Adam and his equal, Lilith. Womb explores the possibilities of a world where Lilith was the first mother.��

Series B��

Danny and Annie looks at the different ways love comes in and out of our lives.��

Drafts - Everybody is looking, but is anybody really seeing?��

Wonder’s Lost Where Wonder’s Found – A woman winds her way through the ridiculous annals of compulsion and the heart-aching longings of loneliness while seeking to remember the miracle of life.����

The Abstraction – Two men in a gallery contemplate an abstract work of art and decide what it means to each of them.��

The Vagina Dialogues is a verbatim piece composed of interviews with91��ɫUniversity students about the misconceptions and mysteries surrounding the vagina.��

Da Capo explores a composer, his muse and the various layers of their relationship through movement.��

Cracked - At the end of her life, Ida Hookman must finally face the consequences of her self-obsessed lifestyle and defend her autonomy in the process.��

Emerging Artists Collective presents a new devised work that examines the artist’s place in the city of Toronto.��

Each program is presented three times over playGround’s four-day run. Series A plays Tuesday, Feb. 14 and Wednesday, Feb. 15 at 7:30pm, with a matinee Friday, Feb. 17 at 1pm. Series B has a matinee Wednesday, Feb. 15 at 1pm, and runs Thursday, Feb. 17 and Friday, Feb. 17 at 7:30pm.

Moran and Tubman-Broeren encourage patrons to purchase their tickets in advance, as performances do sell out. Tickets are $7 per show and are available through the 91��ɫ Box Office website or by calling 416-736-5888.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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