Vice-presidents of research from across Canada converged in Ottawa on April 13 to meet with the presidents of the Social Sciences & Humanities Research Council (SSHRC), Natural Sciences & Engineering Council (NSERC), Canadian Institutes of Health Research (CIHR) and the Canada Foundation for Innovation (CFI), regarding the impact of the 2012 budget on their funding programs.

While the complete details of the consequences of budget 2012 remain to be fully worked out, the overall tone of the message emphasized the efforts being made by Tri-Council to protect and promote fundamental research, to describe where the new investments in the budget will be rolled out, and to give a first look at where the mandated cuts in programming and operations will occur.

Initial discussion emphasized new investments being made and the expression of support for basic research in the budget language (if not directly in the dollars being distributed). Not only was the overall budget to Tri-Council preserved in a budget cycle where five to ten per cent cuts in overall budgets were the norm, but new investments were committed to support a number of new and existing programs. Thus CANARIE, Genome Canada and the CFI all received major infusions of funding that were accompanied by focused investments (in mental health etc.). While there is no explicit new funding for basic research in this budget, the lack of an overall funding reduction place Tri-Council in rare company around the federal budget table this year.

Over the last number of years, Tri-Council agencies were asked to undertake a strategic review of their expenditures, a process which required a review of all program spending and assessment of savings. The review process identified areas where savings could be achieved in order to redirect funding within the organization for new initiatives or to other government priorities.

While these are clearly no longer the heady times of the early 2000s, when Tri-Council budgets grew rapidly in a largely unrestricted manner, overall support for university-led research by the federal government remains comparatively strong and researchers should be encouraged by this. However, it is clear that at all levels, the funders of university research continue to move towards an emphasis on how the results of university-led research translates into tangible benefits for Canadian society and the Canadian economy. Here it is important for researchers to continue their efforts to explain and educate government and other funders on the need to support fundamental research as the bedrock on which university-led research is built.

It is also crucial to emphasize the need for programing that provides funding for making connections amongst researchers and sustaining the basic infrastructure needed for individual research programs. We can all, in following up on the steps presently been taken by Tri-Council, encourage the continued protection and development of core people and basic research programing within Tri-Council, and emphasize at every opportunity that the development of Canada’s Innovation Agenda can only be successful if done in partnership with development of our discovery agenda.

For the full commentary, which includes specific details of anticipated programming changes, please click here.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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Trombonist Ron Westray, Oscar Peterson Chair in Jazz Performance in 91��ɫ’s Department of Music, returns to Toronto’s Massey Hall on Thursday, Feb. 23 for an innovative youth outreach program.

He will lead “Rhythm Counts”, an invitational workshop for young people, just before his former bandmates, the Jazz at Lincoln Center Orchestra led by Wynton Marsalis, take centre stage to perform the highly-anticipated .

Ron Westray

Called , the arts and education outreach program presented by the Corporation of Massey Hall and Roy Thomson Hall provides complimentary tickets for selected concerts to youth who might otherwise be unable to attend. The program, now in its 13th season, aims to enhance and broaden students’ musical horizons by exposing them to world-class performers and related pre-concert demo-workshops by noted local performers/educators.

Westray has invited 91��ɫ music grad and multiple Juno Award-winning jazz saxophonist Mike Murley to co-host the 30-minute workshop, to be held in Massey Hall’s intimate Century Lounge. The session is designed to demonstrate the language of jazz and the art of improvisation, to prepare the students for the mainstage performance. Together, Westray and Murley will present an informal mix of commentary, musical demonstrations and historical highlights, followed by a Q&A. Tickets for the workshop and concert have been distributed to more than 150 music students, ranging in age from 12 to 17, at selected schools and community groups in the Greater Toronto Area.

“I was thrilled to be invited to take part in Share the Music and connect with these young people,” said Westray. “I come from the performance world, and it’s always a pleasure to have the opportunity to play, plus the chance to talk about the music with a fresh audience.”

Westray in performance at the Lincoln Arts Center

“We’re delighted to have Professor Westray on board for this event,” said program coordinator Laraine Herzog. “He’s a perfect fit, seeing as he was lead trombonist with the Jazz at Lincoln Center Orchestra for so many years. His reputation as an incredible performer and educator precedes him – not to mention his connection with Oscar Peterson, a true Canadian musical hero, through his position at 91��ɫ.”

Prior to joining 91��ɫ, Westray toured internationally with the Jazz at Lincoln Center Orchestra for more than a decade, including a number of performances at Massey Hall.

“Wynton [Marsalis] deserves every honour for his immense accomplishments in building the JLCO, its reputation as one of the finest jazz ensembles in the world, and its remarkable touring reach,” said Westray. “I was in the audience when they played Massey Hall last year, and it was like seeing my family from the other side of the fourth wall. I’m looking forward to seeing these guys play once again, and to helping a new young audience develop a deeper connection to a band and a musical repertoire I feel so strongly about.”

As well as a performer, Westray is an accomplished composer and recording artist. His commissions for the Lincoln Center Jazz Orchestra include the monumental score Chivalrous Misdemeanors – Select Tales from Don Quixote (2005) and arrangements of the works of Charles Mingus and Ornette Coleman. He is well known for his collaborations with Wycliffe Gordon, and has also appeared in concert with such luminaries as Ray Charles, Bob Dylan, Willie Nelson, Stevie Wonder, Benny Carter, Dewey Redman, Roy Haynes, Randy Brecker and a host of other pre-eminent artists. A regular on the New 91��ɫ City club circuit, he has played premier jazz venues such as the Village Vanguard, Blue Note, Sweet Basil’s, Iridium, Jazz Standard and Smalls, and is a standing member of the Mingus Band. In 2009, he joined 91��ɫ’s music department, where he teaches in the jazz program and co-directs the 91��ɫ Jazz Orchestra.

Next month, Westray is participating as soloist and clinician at the prestigious Savannah Music Festival. On March 25, he appears as guest soloist with the 91��ɫ Wind Symphony, performing Rimsky-Korsakov’s Trombone Concerto under the baton of 91��ɫ music Professor William Thomas.

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