The $15,000 prize, given annually to a professional Canadian costume designer in mid-career working in Ontario, allows recipients to further enrich their careers through research and travel. Osborne received her award June 18 at a ceremony at the council’s Toronto office.

One of Dana Osborne’s renderings for Hosanna, Stratford Festival, 2011

“I was thrilled,” said Osborne. “I plan use the award to travel to London, England and New 91��ɫ City, plus purchase some drafting and rendering programs for my computer and some new art reference books.  This comes at the perfect time with everything that’s going on in my career and my life. I’ve been very busy lately and was desperate to take some time to recharge.”

Osborne was selected as the winner from an outstanding group of nominees. Citing her strong, creative interpretations, the jury of theatre professionals said: “[Osbourne] is a modern designer for today’s theatre. She uses her strong sense of today’s fashions, cleverly blended with historical looks, to give her shows unique designs. She also makes excellent use of found objects and has strong technical skills.”

Osborne has been working as a theatre designer across Canada for 15 years. In this, her 12th season at the Stratford Festival, she is the creative force behind the costumes for the mainstage production of You’re a Good Man, Charlie Brown and the world premiere of Morris Panych’s musical Wanderlust. Her other Stratford credits include costumes for Hosanna, As You Like It, A Funny Thing Happened on the Way to the Forum, Moby Dick, The Comedy of Errors, The Lark, Cat on a Hot Tin Roof, Timon of Athens, Agamemnon and set and costumes for King Henry IV, Part One.

Dana Osborne (centre) with the Ontario Arts Foundation Vice-Chair John McKellar, and friend of Virginia Cooper (left) and  Alan Walker (right), executive director of the Ontario Arts Foundation (right)

Her work can also be seen this season in Soulpepper Theatre Company’s Speed-the-Plow, currently playing at the Young Centre in Toronto’s Distillery District, and Pacific Opera Victoria’s upcoming production of �Ѳ�������ٳ�.��Osbourne's designs have graced the stages of Regina’s Globe Theatre, the Grand Theatre in London/Ontario, and Canadian Stage, Young People’s Theatre, Pleiades Theatre and Factory Theatre in Toronto.

Blossom Lady from As You Like It, Stratford, 2010

After earning her BFA at 91��ɫ, Osborne began her career in costume management, working with the Canadian Opera Company, Shaw Festival and Mirvish Productions, before choosing to specialize in design. She was named one of the Young Designers to Watch in Entertainment Design in 2004 and received the 2010 Dora Mavor Moore Award for Outstanding Costume Design for Theatrefront’s production of The Mill.

“Studying theatre at 91��ɫ gave me a great foundation to build upon,” said Osborne. “It taught me how to navigate the politics of the theatre, how to survive working long hours under stress, and to be flexible and creative. Theatre design is a collaborative art. A lot of people are involved in getting it from the page to the stage and they will all leave their mark on your design, so it’s important to embrace that.”

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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Environmental studies PhD candidate Andrew Mark knows what’s it’s like to have a long commute to campus, but he tries to use this time productively by thinking about and listening to podcasts.

In fact, he likes podcasts so much, he and a fellow student have created a podcast series he hopes other 91��ɫ commuters will find intriguing and thought-provoking.

This week, Mark and Amanda Di Battista, also an environmental studies PhD candidate at 91��ɫ, will launch CoHearence, a new podcast series exploring the connections between the environment and history and culture.

The first episode will explore mourning, loss and the environment 

On Thursday, Feb. 9, 91��ɫ’s Faculty of Environmental Studies (FES) will host a screening and discussion based on the first episode of CoHearence as part of the FES Lecture Series at 12:45pm at 141 Health, Nursing & Environmental Studies building. Mark and Di Battista, along with other participants from the episode, will be on hand for a Q&A period.

Funded by (Network in Canadian History & Environment) and the Faculty of Environmental Studies (FES), CoHearence is a six-part, monthly audio program free to the general public. Part one of the pilot podcast is “Melancholy, Mourning and Environmental Thought: Making Loss the Centre” and it looks at the loss involved in today’s changing environment.

Cohearance will also look at protests and the environment

For anyone not familiar with podcasts, they are similar to radio broadcasts with a difference in the delivery system. Instead of tuning in via radio, listeners download episodes digitally and listen to them through a computer or personal media device, such as an iPod or cellphone. “We think [podcasting] is ideally suited to talking about complex environmental issues,” says Di Battista. Mark agrees, saying “We hope this medium can create a new venue for information dissemination, beyond the written word, the lecture, the conference or an advising session.”

Di Battista says her goal in creating CoHearence is to “facilitate interesting discussion about the relationship between culture and environment. We work really hard to make each episode interesting both to those within the academy and the general public.”

Mark hopes the project will also reach an audience outside of the University. “Our primary objective is to improve the interdisciplinary discussion happening within our Faculty. We can [also] create narratives that are engaging to people outside of our community. For example, not only does our Faculty have theoretical ideas about the G20 protests, but we also have lived knowledge of those events.”

Each podcast episode will highlight current FES research. Di Battista says the reason for choosing melancholy and mourning as the topic for the first podcast is that “in the wake of the huge amount of environmental loss we talk, teach and learn about each day here in [FES], thinking about the ways that we might deal with the grief and anger that come out of those experiences seemed like a great place to start.”

Subsequent episodes will address a range of topics, including food justice, protest and resistance, and even highlights from the held last October at the Gladstone Hotel.

Di Battista and Mark hope that series will endure on the airwaves for a long time. To help ensure this, they are offering workshops on podcasting through the (CAP) program so future generations of FES students may continue to produce CoHearence. “People will discover and rediscover the series as a document of our times,” says Mark. “They might listen to our shows to hear about the topics or merely to come to know the people we interview better.”

CoHearence is available now on as a part of Sean Kheraj’s established podcast called Nature’s Past. It is also available on the website, which currently features a short preview video.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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Led by Professor Colin Coates (left), Canada Research Chair in Canadian Cultural Landscapes and professor of Canadian Studies at Glendon College, the project is expected to cast light on the impacts of an earlier period of economic “globalization” as a way of better understanding the challenges of current practices. It is one of eight projects across Canada that has been granted funding in the 2011 Digging into Data Challenge.

Fourteen teams representing Canada, the Netherlands, the United Kingdom and the United States have been awarded grants to investigate how computational techniques can be applied to “big data” to change the nature of humanities and social sciences research. Each team represents collaborations among scholars, scientists and librarians from leading universities worldwide.

Coates, who is also the director of the Robarts Centre for Canadian Studies at 91��ɫ, is one of the principal investigators on the project titled Trading Consequences, which received $125,000 in funding. The project will examine the economic and environmental consequences of commodity trading during the 19th century and employs information extraction techniques to study large corpora of digitized documents from the 19th century. This innovative digital resource will allow historians to discover novel patterns and to explore new hypotheses through structured query and a variety of visualization tools.

"Our team of environmental historians is excited to be partners with the Universities of Edinburgh and St. Andrews in the Trading Consequences project. Canadian economic development has historically been defined by commodity flows, and it is important to understand the environmental impacts of this commerce in the past, just as it is today. The focus on Canadian data will test the techniques created through this collaborative project for mapping the scope and impact of international trade in the 19th century," said Coates.

“91��ɫ is proud to receive recognition in the 2011 Digging into Data Challenge,” said Robert Haché, 91��ɫ’s vice-president research & innovation. “These important research projects advance knowledge as researchers work collaboratively and internationally to find new ways to analyze, search for and store data using digital and electronic technologies.”

“The Digging into Data Challenge is an international initiative that enables Canadian researchers to take advantage of the huge digital resources now available and to develop close partnerships with overseas universities,” said Chad Gaffield, president of the Social Sciences & Humanities Research Council of Canada (SSHRC). “These exciting projects cross both disciplines and national borders; they lead to new insights into human thought and behaviour.”

The successful cohort of projects received a total of nearly $5 million in funding from eight international research funding agencies. SSHRC’s contribution of $869,117 will support Canadian researchers from eight of the fourteen teams.  

For more information, visit the ���ɱ�������ٱ�.

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