The (IJS) is the world’s foremost archive and research facility in the field of jazz. Its comprehensive holdings comprise original scores, recordings, personal papers, photographs and memorabilia from a host of leading jazz artists, as well as archives of record companies and jazz-related institutions and organizations from 1920 to the present. In support of its mission to document, preserve and disseminate the history of jazz, the IJS develops conferences, broadcasts, publications, exhibitions and educational programs, and supports the work of individual researchers through the Morroe Berger – Benny Carter Jazz Research Fund.

Brett, who recently returned from her trip to Rutgers, and Bruce, who visited last fall, found the experience invaluable. They had high praise for both the IJS collections and the staff who assisted them in their research.

For Brett, a well-known performer and recording artist who has taught jazz vocals in the Department of Music at 91��ɫ, the IJS’s Ella Fitzgerald collection was a treasure trove. The iconic singer is one of several performers Brett is researching as part of her studies on the great American songbook. Her dissertation will focus on transcriptions and analyses of Fitzgerald’s first four full-length scat solos.

In the Ella Fitzgerald collection, Brett found boxes of scores and sheet music, and many packages from hopeful songwriters begging Fitzgerald to perform their work. Brett was also able to touch the gown Fitzgerald wore for her legendary performance with Tommy Flanagan at the 1977 Montreux Jazz Festival, a show that was recorded on video.

“I know how the gowns I wear for my own performances hold my energy before and after a gig,” Brett said. “It was deeply moving to be in such close proximity to her personal belongings.”

Bruce spent five days immersed in the archives, shuttling between the stacks, files and photocopier, and bringing home a full dossier of materials to review.

“The librarians were incredible,” Bruce said. “They would always come up and ask about my work, run back to storage, and return with additional materials they thought might help. As a research trip, it was exciting and inspiring – and a lot of fun!”

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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TED, which stands for technology, entertainment and design, is a series of not-for-profit conferences that started in 1984 in Silicon Valley as a way for employees of tech companies to share their ideas and innovations with their contemporaries.

Featuring two official annual conferences, dozens of global TED events and more than 1,000 independently organized TEDx events, TED is a worldwide movement that brings together the “world’s most fascinating thinkers and doers”. Each TED presenter is challenged to give the “talk of their lives”.��Previous TED alumni include former US vice-president and current environmental activist , futurist and author and British celebrity chef and food activist .

The mission of TED is simple: spread great ideas. In its second year, TEDx91��ɫU is featuring talks by members of the 91��ɫ community centred on the various ways in which their passions have impacted the world around them.

Driven by a committee comprised of current students, alumni and staff members, this year’s event will be hosted at Theatre Glendon. Key presenters at TEDx91��ɫU are 91��ɫ President & Vice-Chancellor Mamdouh Shoukri, Vice-President Academic��& Provost Patrick Monahan, Toronto city councillor Mike Layton (MES ’06) and 91��ɫ��communiations & culture Professor Barbara Crow.

TEDx91��ɫU is supported by the Office of the Vice-President Research & Innovation, the Division of Students, 91��ɫ Alumni, Student Community & Leadership Development and Glendon College.

until 11:59am on Wednesday, Feb. 29. Satellite locations for remote viewing will be available on the Keele and Glendon campuses on March 10. A live webcast will also be available for people who want to watch from off campus locations.

For more information, visit the website, see its or search posts on Twitter using .

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"We try to touch on everyone's area of study in vision research, from brain and visual-motor plasticity to computer models and robotics," says 91��ɫ psychology Professor Jennifer Steeves (right).

The conference will take place June 15 to 18 in the Computer Science & Engineering Building (CSEB), Keele campus. Registration will take place in the CSEB lobby and speaker presentations will be held in CSEB Lecture Hall C. It is hosted by 91��ɫ's in the .

One of the speakers, professor of biological sciences and neuroscience of Mt. Holyoke College, will discuss her own experiences and research with the extent of the brain's plasticity. At one time it was believed that the brain was only malleable during a "critical period" in early childhood, but then, at the age of 48, Barry overcame the stereoblindness she'd had since infancy through optometric vision therapy. She realized at that point there was no absolute "critical period" and that the brain could change and adapt well into adulthood.

Left: Susan Barry

Barry will review the natural history of infantile esotropia��– where one or both eyes turn in – demonstrate several rehabilitation procedures that promote stereovision and describe possible mechanisms for wiring changes in the brain. She is the author of Fixing My Gaze: A Scientist's Journey into Seeing in Three Dimensions (2009).

Professor of the University of California, San Francisco, will discuss brain plasticity across the human lifespan and how all plasticity mechanisms are, by their fundamental nature, reversible. A large body of behavioural, electrophysiological and neuroimaging studies have documented the progressive neurological changes that arise as a function of normal aging and as expressions of chronic neurological and psychiatric diseases.

"I shall argue that a number of these illnesses represent failure modes of our self-organizing neurological machinery," says Merzenich. These studies of the neurological distortions recorded in patient populations provide "roadmaps" for potentially addressing plasticity-induced changes therapeutically. "I shall illustrate this therapeutic potential by discussing our early progress in developing treatments designed to prevent and/or ameliorate the expressions of chronic neurological and psychiatric illness."

Professor (right) of Georgetown University will present his talk on "Functional Specialization in the Visual Cortex of the Blind", which looks at how the modules in the brain responsible for sight retain their functional specialization in people blind from birth. The difference is that these modules are "hijacked" by input from a non-visual modality, such as audition or touch.

Professor of the University of Montreal will discuss "Cross-Modal Plasticity in Blind and Deaf Subjects: Results on Cortical Reorganization and Performance Do Not Seem to Always Point in the Same Direction".

Left: Franco Lepore

"Numerous results obtained in our laboratory on blind individuals consistently indicate that when tested on behavioural tasks, such as tone discrimination, sound localization in far and near space, navigation on a tactile labyrinth or in angle discrimination, they generally outperform the sighted," says Lepore. "At the cortical level, it appears that this supra-performance rests on the recruitment of visual areas." However, the same does not seem to hold true for deaf individuals, who show somewhat poorer visual abilities for even low-level functions.

Registration information, including a compete and abstracts, is available online. For more information or to download the conference program, visit the website or contact Teresa Manini, Centre for Vision Research administrative assistant, at manini@cvr.yorku.ca.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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And as the film world continues its rapid transition from traditional 2 D celluloid film to 3 D digital, a weekend conference at the TIFF Bell Lightbox is aimed at boosting the Toronto film community’s chances of capitalizing on the next wave in film – 3-D, wrote the :

The [] conference is co-sponsored by 91��ɫ’s Faculty of Fine Arts and the 3-D Film Innovation Consortium (3D FLIC), a group of GTA-based film companies.

Ali Kazimi, professor in the University’s film department, said the three-day event will bring together an “eclectic mix” of filmmakers, artists, academics and theorists. “It’s a truly interdisciplinary event. We believe it’s not just a first in Canada, we believe it’s the first time anywhere in the world that these...fairly disparate groups of people have been brought together to discuss the future of 3-D cinema,” Kazimi said.

“I think this is going to be a very special event for the city. Our project has really put Toronto on the map because with this incredible sharing of knowledge,” he added.

Until the debut of Avatar in December, 2009, there was little interest in 3-D as a new frontier in film, Kazimi said. “Now everybody is jumping on the bandwagon. As a filmmaker, I feel it’s a very exciting time because when used properly, 3-D offers a whole new language for filmmakers,” Kazimi said.

The conference and 3D FLIC also involve psychology and computer science researchers within the . The centre's conference on runs June 15-18, allowing researchers to attend both events.

For more background on the Toronto International Stereoscopic 3D Conference, see its or this .

Posted by Elizabeth Monier-Williams, research communications officer, with files courtesy of YFile– 91��ɫ’s daily e-bulletin.

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The conference is the first of many large events planned for 2011, declared the Year of India in Canada.

Q: What's the conference about for you?

What I really like is that it's not totally about only diaspora issues. It's about the issues of the day: youth issues, gender issues, which are not the issues of one diaspora or another. Our country should be looked at not only as isolated communities. We should have a say in policy-making. People doing jobs they're over-qualified for is not an Indian issue, it's an issue for all of Canada. If not, we lose the sense of Canada as a whole.

Q: How would you describe the Indian diaspora in Canada?

In Canada, we have representation from all over India, with the dominant group being the Punjabi community. In the last few years I've seen more of an effort to have a pan-Indian presence. We do tend to have more engagement with the mainstream, partly because of our prominence in the professions and our facility with English. We had the right colonizers.

Posted by Elizabeth Monier-Williams, research communications officer, with files courtesy of YFile– 91��ɫ’s daily e-bulletin.

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The , a one-of-a-kind gathering of experts in stereoscopic 3D art and entertainment, takes place in Toronto June 11 to 14. Major figures from the USA, UK, Russia, Germany and Canada will convene at TIFF Bell Lightbox to address and analyze the latest developments in the field.

Speakers include renowned German director , Irish director and U2 stage designer , , co-founder of IMAX and leading international film historian .�� Minister , will deliver remarks.

The Toronto International Stereoscopic 3D Conference is organized by the (3D FLIC) and researchers from 91��ɫ, including the . Bridging academia and industry, the event is designed to create dynamic synergies to funnel cutting-edge research into 3D production and best practices, to continue to improve the stereo 3D experience and respond to the growing audience appetite for 3D entertainment across all platforms.

Saturday, June 11
What: �������������������������� Official opening night of the Toronto International Stereoscopic 3D Conference

When: ������������������������ 5pm (Please arrive 1 hour early for sound feed)

Where:������������������������ Cinema 2, TIFF Bell Lightbox, Reitman Square, 350 King Street West, Toronto

Remarks:

• Juana Awad, 3D FLIC Project Director
• , Associate Dean Research, Faculty of Fine Arts, 91��ɫ
• James Weyman, Manager of Industry Initiatives, Ontario Media Development Corporation
• Awad introduces Ali Kazimi, Faculty of Fine Arts, 91��ɫ
• Kazimi presents German filmmaker and keynote speaker Wim Wenders

5:30pm Keynote address by Wim Wenders, titled “On PINA”

Sunday, June 12
What: �������������������������� Toronto International Stereoscopic 3D Conference, remarks by Honourable�� Michael Chan, Minister of Tourism & Culture.

When: ������������������������ 10am (Please arrive 1 hour early for sound feed)

Where:������������������������ Cinema 2, TIFF Bell Lightbox, Reitman Square, 350 King Street West, Toronto

Remarks:

• Juana Awad, 3D FLIC Project Director
• Nell Tenhaaf, Professor of Visual Arts, Faculty of Fine Arts, 91��ɫ
• Honourable Michael Chan, Ontario Minister of Tourism & Culture
• Tenhaaf introduces Bill White, partner, 3D Camera Company

10:30am Mini Keynote Canada’s lead on the Stereoscopic 3D World Stage

• Dr. Paul Salvini (CTO Side FX Software)
• Dr. Kevin Tuer (MD Canadian Digital Media Network)

For more details, see and a previous .

Artistic Direction and Organization Juana Awad, 3D FLIC Project Director 91��ɫ; Professor Janine Marchessault, Canada Research Chair in Art, Digital Media and Globalization, 91��ɫ; and Sanja Obradovic, PHD Candidate Communication and Culture, Ryerson University/91��ɫ.

By Amy Stewart, publicist, Faculty of Fine Arts

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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The first of its kind in Canada, the Toronto International Stereoscopic 3D Conference is organized by the 3D Film Innovation Consortium (3D FLIC), and researchers from 91��ɫ.

See the for start times, remarks and speakers.

Bridging academia and industry, the event is designed to create dynamic synergies to funnel cutting-edge research into 3D production and best practices, to continue to improve the stereo 3D experience and respond to the growing audience appetite for 3D entertainment across all platforms.

The conference will offer film and TV production companies, 3D practitioners and enthusiasts the opportunity for far-ranging discussions about contemporary challenges and possibilities in stereoscopic 3D. It will feature keynotes, panel discussions and presentations, with screenings and master classes rounding out the program.

Keynote presenters include renowned German director , who will discuss the creation of his 3D documentary , about the influential choreographer Pina Bausch; Irish director and stage designer Catherine Owen, who will share her experiences co-directing U23D, the first film shot in digital 3D; Graeme Ferguson, co-founder of IMAX and one of the filmmakers behinds some of its most successful films, and Thomas Elsaesser, renowned international film historian.

httpv://www.youtube.com/watch?v=VaB5Nc0XNOY&feature=player_embedded

The live-action nature drama Bugs, the science-fiction action blockbuster and , the IMAX exploration of the profound impact of the Hubble Space Telescope on the way we view the universe, will all be screened and��introduced by their producers.

Panels include Stereography and Cinematography, Producing and Directing Stereo 3D, Expanding the Tool Set: Post-production and visual effects, Shooting for Conversion, Stereoscopic Perception and Cinema, History of Experiments in 3D Film and Photography, and many more.

All panels, presentations, keynotes and screenings will be held at the 350-seat 3D-capable cinema at TIFF Bell Lightbox, giving all speakers the possibility to show footage during their presentations.

The Toronto International Stereoscopic 3D Conference runs immediately prior to , June 15��to 19, allowing for synergies and exchanges between the two international events.

The conference is produced and presented by 3D FLIC and 91��ɫ.��Presenting partners: Social Sciences and Humanities Research Council of Canada, Graphics Animation and New Media (GRAND) NCE, Ontario Media Development Corporation (OMDC). Supporting partners: City of Toronto, Canadian Digital Media Network, Goethe Institute Toronto, IMAX, Cinespace Film Studios, 3D Camera Company, Creative Post, Studio SysAdmin and Geneva Films. Additional support from: FilmOntario and Computer Animation Studios of Ontario (CASO). Master classes co-presented by TIFF Bell Lightbox.

A full��conference pass is $180. Passes for students and seniors are��$60. A day pass is $75, with student and senior��day passes priced at $25.��Tickets for the Wim Wenders master class are $25 each, and $15 for��students and seniors. Tickets for other master classes are $15 each, with students and seniors tickets priced at $10 per class.

Information and conference registration forms can be found on the website.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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Registration is now open for Connected Community Learning: The Next Decade taking place Aug. 22 to 24 on 91��ɫ's Keele campus.

Over the past decade the Internet has affected society in many ways, including��democratizing access to information, creating opportunities for individual voices to be heard, sharing ideas and knowledge, allowing instantaneous responses to questions, creating social networks that expand knowing and doing, developing new regulations and policies for information access, copyright and use, digital citizenship – and the list continues. ASI 2011 asks what will the next 10 years bring?

Conference delegates��will investigate this question and the power of a connected community to effectively use technology for teaching and learning. This two-and-a-half-day professional learning event features speakers and information sessions.

Keynote speaker�� will open ASI 2011, delivering a speech titled “The Flat World has Swung Open: How Web Technology is Revolutionizing Education”. Bonk is professor of Instructional Systems Technology at and president of .

Left: Curt Bonk

Bonk received the CyberStar Award from the Indiana Information Technology Association, the Most Outstanding Achievement Award from the US Distance Learning Association, and the Most Innovative Teaching in a Distance Education Program Award from the State of Indiana. A well-known authority on emerging technologies for learning, Bonk reflects on his speaking experiences around the world in his popular blog, .��He has coauthored several��technology books, including (2009), (2008), (2006) and Electronic Collaborators (1998).

On Aug. 23, Dean Shareski, a digital learning consultant for��the Prairie South School Division in Saskatchewan, will be the spotlight speaker. Shareski works with teachers and students in understanding the power of��"Read/Write Web" and is a strong advocate of design and storytelling and the power of sharing.

Right: Dean Shareski

Shareski has presented and led many workshops locally, nationally and internationally.�� He's been modeling much of this on his own blog () for more than six years.��The site is consistently ranked among the top 100 educational blogs. He also is an adjunct professor at the University of Regina, where he's developed innovative instructional practices for pre-service teachers.

To close ASI 2011 on Aug. 24, Norm Vaughan will discuss “Student Engagement and Web 2.0 in Blended Learning”. An educator and researcher with interests in blended learning, faculty development and��kindergarten to Grade 12 schooling, Vaughan is an��associate professor��in the Department of Education, Faculty of Teaching & Learning at Mount Royal University in Calgary, Alberta.

Left:�� Norm Vaughan

Vaughan recently co-authored the book Blended Learning in Higher Education (2008) and has published a series of articles on blended learning and faculty development.��Vaughn is the co-founder of the Blended Online Design Network (BOLD), a member of the Community of Inquiry Research Group, the associate dditor of the International Journal of Mobile and Blended Learning. He serves on the editorial boards of the International Journal of Excellence in e-Learning, Canadian Journal of Learning and Technology, the Journal on Centres for Teaching & Learning, the Learning Communities Journal and the Journal of Information Fluency.

The ABEL Summer Institute is intended as both a guided and self-directed exploration of technologies as educational tools with learning engagement and knowledge building potential for all.

For more information on ASI 2011, including the agenda, click . Register early to avoid disappointment. To register online,��click .

ABEL is a unit within the Office of the Vice-President, Research & Innovation. For more information about its event and programming,��visit the website.

Republished courtesy of YFile – 91��ɫ’s daily e-bulletin.

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The conference will take place Thursday, May 5, from 8am to 8pm,��and Friday, May 6, from 8am to 8:30pm, in the Assembly Hall, 152 Founders College, Keele campus. On Saturday, May 7, sessions will take place from 9:30am to 3:30pm in 001 Winters College, Dining Hall, Keele campus.

One of the round tables will look at revolutions in northern Africa, while another, chaired by Curto, will explore Angola under the Weight of the Slave Trade during the 18th and 19th centuries. “We’re doing the past, but we’re also doing very contemporary issues,” says Curto. The first session of the conference will be a round table via the web with presenters from Brazil looking at the present and future perspectives of African studies in Brazil.

The three plenary speakers will tackle a range of topics. Political science and Islamic studies Professor Khalid Mustafa Medani of McGill University will talk about “Informal Institutions and Identity Politics: The Evolving Political Economy of Transnationalism in North East Africa”, sociology Professor Imed Melliti of the Institut Supérieur des Sciences Humaines at the University of Tunis el-Manar will address “Jeunesses maghrébines: religiosité, enjeux identitaires et enjeux de reconnaissance” and Donald G. Simpson, who leads Innovation Expedition, will speak about “Africa – Here and There in the Sixties: A Canadian Perspective”.

Left: Khalid Mustafa Medani

Medani was named a Carnegie Scholar on Islam in 2007 by the Carnegie Corporation of New 91��ɫ, Melliti is the author of several books, while Simpson is the former director of the International Development Research Centre and the Centre for International Business at the Ivey School of Business at the University of Western Ontario. For more biographical information on the plenary speakers, visit the website.

The conference theme, Africa Here; Africa There, is in recognition of the United Nations General Assembly proclaiming 2011 as the International Year for People of African Descent. The meeting will be hosted by 91��ɫ’s and will have sessions in both French and English.

Right: Donald G. Simpson

“What we are doing is not only focusing on the continent itself, but outside the continent,” says Curto. “Through the conference we are highlighting the bridge we’re making between the diaspora and the homeland.”

The second round table of the conference, Africa Here: Commemorating the Early African Canadian Experience, will be chaired by 91��ɫ Professor Michele Johnson, co-author of the book They Do as They Please: The Jamaican Struggle for Cultural Freedom after Morant Bay (University of West Indies Press), which will as part of the conference. Taking part in this round table panel will be 91��ɫ Distinguished Research Professor in African history Paul Lovejoy looking at “Africa Here: Itineraries of African Canadian Memory and the UNESCO Slave Route Project”, Hilary Dawson of the Harriet Tubman Institute discussing “Locating Sites of Memory: Tracing an Itinerary of Memory for the African Canadian Experience” and Karolyn Smardz Frost, a research associate with the Harriet Tubman Institute, talking about “Slavery, Resistance and the Underground Railroad in Toronto”.

There will be presenters from Canada, the United States, Australia and Africa at the conference. 91��ɫ history PhD candidate Jeff Gunn will discuss “Child Soldiers and Modern Slavery in the 21st Century”, while 91��ɫ Professor Emeritus John S. Saul will discuss a “New Counter-Hegemonic Project in Contemporary South Africa: Moeletsi Mbeki, Zwelinzima Vavi and the Democratic Left Forum. Some of the other sessions will examine topics such as: Africa in Canada, Border Security in African Contexts, Governance and Management of Natural Resources in Africa’s Great Lakes Region, Perspectives on Gender in Africa, Urban Unrest in South Africa and Africans on the Move.

Lovejoy, director of the Harriet Tubman Institute for Research on the Global Migrations of African Peoples, will also chair the sessions examining The Central Sudan in Nineteenth & Early Twentieth Centuries and Aspects of the Slave Trade in the Atlantic World. In addition, there will be screenings of several documentaries, including Behind the Rainbow by Jihan El-Tahri, Sembene! By Jason Silverman and Escape from Luanda by Phil Grabsky.

For more information, including a detailed listing of speakers and sessions, visit the conference website or the website.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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Artists of all stripes from around the world are reducing their carbon footprint in creative ways. Many prominent ones – including the Cirque de Soleil’s Gil Favreau – are coming to 91��ɫ this month to share how at a conference on sustainability and the arts.

Hosted by 91��ɫ’s Faculty of Fine Arts, will bring together more than 100 presenters from all corners of the globe April 20 to 22. They will discuss the challenges of creating environmentally sustainable arts practice and performance. And they will tackle the question of sustainability from two vantage points: cultural and ecological.

Keynote presenters will share practical measures and radical rethinking about sustainability:

David Buckland, founding director of , London

• Artists, Scientists and the Environment: For nearly a decade, Cape Farewell has been in the vanguard of an impetus to rethink climate change as an opportunity for cultural reorientation. Buckland illuminates how scientists and the creative community have joined forces to envision and work towards delivering a sustainable future.

Above: Michael J. Morris, Theresa May, Ian Garrett, David Buckland

Gil Favreau, director of social action and responsibility,

• Cirque du Soleil: Creator, Performer and Citizen: In 2006 Cirque du Soleil adopted a proactive environmental policy based on sustainable development. Under Favreau’s direction, new initiatives aimed at reducing the company’s ecological footprint continue to be launched with Cirque du Soleil’s inimitable creativity.

Ian Garrett, executive director of , Los Angeles

• The Performing Arts and their Carbon Footprint: Shows can live long lives: The Phantom of the Opera became the longest-running Broadway musical at its 7,486th performance in 2006. But of 14,000 non-profit productions in the US that year, the average ran for less than 13 performances. While rapid creation and disposal are at odds with sustainability, this cycle is also an opportunity to reinvent the process and redefine theatrical production. Garrett explores available resources and best practices to enable more conscious choices while maintaining artistic excellence.

Theresa May, Department of Theatre Arts, University of Oregon; artistic director of

• "This Is My Neighborhood!" – Community Identity, Ecology and Performance: In two indigenous performances, May explores how local identities and economies are linked to global challenges, and how global ecological issues are etched in the lives of people and the land they call home.
  

Above: Catriona Sandilands, Colette Urban, Gil Favreau and Katherine Knight

Catriona Sandilands, Canada Research Chair in Sustainability & Culture in 91��ɫ's Faculty of Environmental Studies; and Michael J. Morris, choreographer and ecosexuality scholar at Ohio State University

• Eco Homo? Queering Bodies, Queering Sustainability: This textual/choreographic conversation/dance takes aim at assumed understandings of the human body in popular and policy discourses of sustainability. It presents an imaginative-performative “taking in and taking on” of the other, as opposed to a version of sustainability built on corporeal closure and defence.

Performance artist Colette Urban and filmmaker Katherine Knight

• : Directed by Katherine Knight, this film explores art and place, presenting Colette Urban's enigmatic art performances set against the rugged beauty of rural Newfoundland. It received special mention at the 2010 Ecofilm Festival in Rhodos, Greece.

More than 20 panels will explore topics such as the sustaining, imaginative and parasitic potential of the ruins of human habitation; the ecological ethics of John Cage’s chance music; Max Goldfarb’s Deep Cycle art installation; Basia Irland’s river restoration art actions; and sound-walking.

Other highlights include practical workshops on sustainable stage production practices and technologies, and staged readings of two plays: Chantal Bilodeau’s trilingual work-in-progress, Sila, weaving together Inuit myth and contemporary Arctic ecological policy; and Jade McCutcheon’s The Elephant’s Graveyard, a consideration of the public and political implications of aging and scientific attempts to cure the "disease" of death.

The conference concludes with a roundtable discussion by leading Greater Toronto Area artists and arts administrators on the role of sustainability and the arts in a major urban centre.

Staging Sustainability is produced and presented by 91��ɫ’s Faculty of Fine Arts with the support of the Social Sciences and Humanities Research Council of Canada.

Registration is $80 to $100; students $20 to $30. For program information and online registration, visit the website.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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