entertainment Archives | Research & Innovation

Higher ed, technology and environmental action in spotlight at TEDx91��ɫU

fmaquito — Fri, 09 Mar 2012 10:00:00 +0000

91��ɫ will celebrate great ideas on Saturday at the second annual event.

TED (Technology, Entertainment and Design) conferences began in 1984 in Silicon Valley as a way for tech employees to share their ideas and innovations. TEDx91��ɫU, which is organized independently of TED, will include talks by 11 members of the 91��ɫ community. They will speak about a wide array of topics, including the impact of emerging technology on education, student activism, mobile technology and seniors, and how concussions affect athletes.

TEDx91��ɫU will be held in Theatre Glendon on the Glendon campus of 91��ɫ from 9:30am to 3pm. All of the talks will be streamed live at .

Featured speakers and topics include:

Mamdouh Shoukri, 91��ɫ president & vice-chancellor – "Forty years later I traded a briefcase for a backpack... and I loved it". After 40 years, Shoukri revisited his time as a student thanks to 91��ɫ's inaugural President for a Day contest. The contest saw him swap roles with a student for a full day, in what may be a first for a Canadian university. In this address, he will talk about the contest, his experiences and what he learned from the day. (10:10 to 10:22am)

Patrick Monahan, 91��ɫ University vice-president academic & provost – "The 21st-Century Revolution in Higher Education". Monahan will explain the transformation already underway in higher education worldwide, driven by technological advances that will enable – and also require – universities to respond to the learning needs of their students in new and different ways. The university in 2025 will be a very different place from what it is today. This transformation will mean more and better educational alternatives, better learning outcomes, and at a lower cost to students themselves. He will also explain how 91��ɫ aspires to be a university for and of the 21st century. (11:43 to 11:55am)

Mike Layton, Toronto city councillor (Trinity-Spadina) and a graduate of 91��ɫ’s master of environmental studies program – "Free Energy Retrofits". Layton proposes that to combat climate change, we must take action globally, nationally, locally and in our very homes. He focuses on the latter, outlining a number of things that people can do in their own homes to conserve energy and offset their effects on climate change, focusing on the support and use of municipal legislation. (2:26 to 2:38pm)

Barbara Crow, professor of communications & culture and associate dean, research, in 91��ɫ’s Faculty of Liberal Arts & Professional Studies – "Canadians at the Cross-Roads". Through her research on the impact of mobile technology on seniors, Crow explains the importance of bridging the gap between youth and seniors, as it relates to mobile technology usage. (10:49 to 11:01am)

The event will also include presentations by a number of other speakers. The time of each presentation will be updated on the website. These speakers include:

Lauren Sergio, 91��ɫ professor, School of Kinesiology, Faculty of Health – "Impact Matters. Literally". Using her research on the impact of concussions in athletes, Sergio explains that we need to rethink how we know when it’s safe for them to return to play.

Megan Bertasson, Whitebear Woman, 91��ɫ student – "Acimowin – to tell a story". Using Cree storytelling, Bertasson shows the power of stories as agents of resistance, cultural propagation and impact. She leaves the audience with the powerful story of Helen Betty Osborne, a Cree woman brutally assaulted and murdered in Manitoba, asking them to digest, interpret and apply the story in their own way.

Samantha Yamada, 91��ɫ student – "Measuring Impact". Using the example of Pine River, a centre for youth dealing with mental health issues and addiction, of which she is a co-founder, Yamada is arguing for the importance of program- and self-evaluation in being able to make an impact. She highlights the courage required to acknowledge and overcome failure, and to learn and grow from it. Evaluation may not be the flashiest form of research, but it is essential to making an impact and difference.

Alastair Woods, 91��ɫ Student – "In Praise of Troublemakers". Woods gives a call to action, praising troublemakers − those who stand up and make their voices heard, pushing governments to be more accountable, and finding ways to operate both within and outside of the existing (imperfect) political system.

Brian Crosby, 91��ɫ alumnus and comedy writer – "All Your Ideas Are Bad: A letter to myself". Presented as a letter to his younger self (and to all of the audience), Crosby is sharing the idea that impact is not something that happens, but a process. Using examples of "bad ideas" he has come up with throughout his career as a comedy writer, he demonstrates that "failure" is not an end point, but a natural and necessary part of finding success with your passions and being able to make an impact.

Jeremy Laurin, president & CEO, ventureLAB – "Impact - My life as an entrepreneur". Using experiences from his own life, Laurin talks about the impact and influence of his family on his journey to becoming an entrepreneur.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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Faculty of Fine Arts shines spotlight on research

fmaquito — Wed, 01 Feb 2012 10:00:00 +0000

From investigating how typography could reduce medication errors to using math as a tool to teach jazz, Faculty of Fine Arts scholars and practitioners have a fascinating array of research projects to share during the Fine Arts Research Celebration Monday, Feb. 6.

Robert Haché, vice-president research & innovation, and Barbara Sellers-Young, dean of the Faculty of Fine Arts, are co-hosting the event, which takes place from 2 to 4 pm in the McLean Performance Studio, 244 Accolade East Building, Keele campus. Everyone is welcome to attend the free celebration, but an RSVP is requested. You can RSVP or call Lia Novario at ext. 33782. Light refreshments will be provided.

Right: Nancy Latoszewski performing

The program features a live dance performance, film clips and four presentations that showcase some of the diverse academic and applied creative work being done by Fine Arts faculty and graduate student researchers.

“This research celebration highlights multi-disciplinarity in the Faculty of Fine Arts, from dance to music to digital media and beyond,” said Haché. “We invite the 91��ɫ research community to join us to learn more about the exceptional research activities taking place in this Faculty.”

“The arts are so much more than entertainment,” says Sellers-Young. “Arts and culture are at the heart of our day-to-day lives, and those who are engaged in the arts – as practising artists, theorists, historians, critics and many other ways – play an important role in shaping civic society and addressing the critical issues of our day. The presentations at the Fine Arts Research Celebration illustrate this engagement and the diverse contributions our researchers are making.”

Visitors to the Fine Arts Research Celebration will be greeted by clips of visual arts Professor Katherine Knight’s vivid feature documentary, . Knight’s film follows the renowned Canadian artist as she prepares massive new works depicting archetypal cities and familiar, yet disquieting, landscapes for two 30-year retrospectives – one at the Winnipeg Art Gallery and another at the National Art Gallery in Ottawa.

Left: Wanda Koop in a still from the film KOOP: The Art of Wanda Koop

Drawing the viewer into the framework in which the artist works, the film explores the science of vision, colour and perception – including Koop’s visit to 91��ɫ’s Centre for Vision Research to have her vision tested in the 3D Vision Research lab. (See YFile story Feb. 22, 2011.)

Design Professor will present a talk, titled “Evaluating Graphic Design for Patient Safety: An investigation of the Use of Typographic Principles to Differentiate Look-Alike Medication Names”.

She was the principal investigator on a recent study conducted at Toronto’s University Health Network, investigating how the principles and practices of graphic design and typography might be used for interventions intended to help health-care professionals make accurate medication selections.

Right: An example of using Tallman lettering with parts of the word enhanced to help distinguish it from similar medication names

“We know that look-alike, or orthographically similar, medication names are one of the causes of medication errors,” says Gabriele. “Tallman lettering (enhancement of words by changing parts of the word to capital letters) is currently recommended to help differentiate similar names.”

In her new study, she tested tallman lettering applied to look-alike medication names alongside other ways of enhancing names using three different scenarios. “Results indicated that tallman lettering might not be as effective as previously reported,” she says. “The research also revealed the importance of designing and testing interventions for specific users in contexts that reflect actual situations and activities in practice.”

In his lecture-demonstration “Music is Math: An effective Approach to Teaching Jazz Improvisation within General Music Education”, Professor Ron Westray��(��ڳ�), 91��ɫ’s Oscar Peterson Chair in Jazz Performance, explores how the mathematical qualities inherent in western music can be used as a tool for ear training through music improv.

“You can view the chord-to-scale relationship in jazz improvisation as virtual data that can be transposed throughout relative and absolute functions, much like basic math,” says Westray. “Translating music into math helps demystify simple improvisation. It levels the playing field and makes it easier for non-specialists to teach jazz improv.”

Westray, an internationally known jazz trombonist, will illustrate the concept by means of a PowerPoint presentation punctuated with live performance examples, including the participation of jazz majors from the Department of Music.

Digital Media Professor Mark-David Hosale will discuss “Nonlinear Narrative as a Conceptual Framework for Media Art”, with an overview of the core technical and esthetic motivations unpinning his work as a media artist.

Right: Digital media art by Mark-David Hosale

“The approach to addressing narrative issues in my work is derived from thinking of narrative as a model of knowledge,” he says. “I see the stories we tell each other and ourselves as an expression of what we know. From this perspective, my works can be understood as knowledge spaces that are a conceptual reflection of a modern understanding of knowledge and nature, which is inherently nonlinear.”

The challenge of capturing the qualities of nonlinear narratives has led Hosale to develop an abstract model useful in the conceptual analysis and practical development of his work. In his presentation, he will explain how the model is based on a composite of operations, structures and characteristics that provide the governing principles behind a software framework and hardware platform.

Canadian dance history is the focus of the presentation by dance Professors Darcey Callison and Carol Anderson, and Professor Emerita Selma Odom. They will read excerpts from their contributions to , an anthology to accompany an exhibition of the same name organized by Dance Collection Danse in partnership with the Theatre Museum of Canada.

During the 1970s dance boom, audiences worldwide flocked to performances. Artists were energized and innovative. In Canada, dance finally found an intellectual home in universities across the country. The decade was also defined in Canada by political, social and cultural debate inspired by second-wave feminism, gay rights, multiculturalism, separatism and nationalism.

How was this turbulent decade reflected in dance? How did the major issues and ideas of the day inspire or influence dancers and choreographers, and how did they respond? Renegade Bodies: Canadian Dance in the 1970s explores how the art form contributed to, and was informed by, this vibrant zeitgeist.

Moving from the page to the stage, dance MFA candidate Nancy Latoszewski will perform a five-minute excerpt from her solo dance, Carriage. The work revisits the challenge she faced in transitioning from the life of a prima ballerina to motherhood. While intensely personal, the work also speaks to the wider experience of undergoing a tremendous life change. Through her choreographic and performance research, with works such as Carriage, Latoszewski investigates how danced narratives can communicate personal stories and contribute to current interests in oral history and storytelling.

In addition to the public presentations, there will be a display of books and materials in other publication formats.

Visitors will have the opportunity to engage with other research projects by Fine Arts faculty on Fine Arts Research Day in Vari Hall on Wednesday, Feb. 29, from 10am to 2pm, as part of 91��ɫ’s Research Month.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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Playwright discusses his recent work onstage in January

fmaquito — Mon, 19 Dec 2011 10:00:00 +0000

Toronto-based playwright and director of theatre and opera, Alistair Newton will digitally screen some of his work and engage in a discussion and Q&A with film Professor Marie Rickard, the master of 91��ɫ’s Winters College, in January.

The event, Queering Theatre in Toronto, will take place Thursday, Jan 5, 2012, from 2 to 4pm in Winters Senior Common Room, 021 Winters College, Keele campus.

Right: Marie Rickard

Newton, a recently appointed Winters College Fellow, is the founding artistic director of Ecce Homo Theatre. His newest musical, , is scheduled to run from Jan. 5 to 15, 2012, as part of the 2012 Next Stage Theatre Festival at the Factory Theatre in Toronto.

Written and directed by Newton, Loving the Stranger or How to Recognize an Invert, introduces the audience to Montreal’s Peter Flinsch, a theatre designer, visual artist and gay survivor of Nazi Germany, who was arrested in 1942 for kissing a friend at a Luftwaffe Christmas party. It takes in everything from the cabarets of 1920s Berlin and the battle over gay marriage to the office of the Prime Minister, and is billed as a provocative expressionist cabaret.

“The goal of my work is to balance politics and entertainment, to combine dance, music, text and design into a total theatrical experience in the hopes of challenging my audience intellectually and emotionally,” says Newton.

“I agree with Schiller's notion of the stage as a moral institution and I endeavor to create work on big themes for troubled times. My output as a playwright and director with Ecce Homo Theatre seeks to achieve intimacy through artifice using a queer aesthetic as a tool for destabilization, to draw attention to hypocrisy and deflate the un-ironic. As one of my former teachers, Charles Marowitz, once said, “Laughter can be a hammer-stroke in the hands of deft satirists.”

Newton is a contributor to the forthcoming collection, TRANS(per)FORMING Nina Arsenault: An Unreasonable Body of Work (Intellect Ltd.), edited by 91��ɫ theatre Professor Judith Rudakoff.

His previous work includes three consecutive productions for the SummerWorks Theatre Festival in which he was playwright and director of The Pastor Phelps Project: a fundamentalist cabaret, The Ecstasy of Mother Teresa or Agnes Bojaxhiu Superstar and Loving the Stranger or How to Recognize an Invert. Newton’s work has also been performed at the Rhubarb Festival – Leni Riefenstahl vs the 20th Century – and the Victoria Fringe Festival – Woyzeck Songspiel.

In addition, Newton was a participant in the inaugural presentation of The Ark at The National Arts Centre English Theatre in 2006, and is a past member of the BASH! Emerging Artist Program at the Canadian Stage Company, the Ante Chamber Creator’s Unit with Buddies in Bad Times Theatre and the Director’s Lab of the Lincoln Center Theater.

He has also served as apprentice director for the Ensemble Studio of the Canadian Opera Company for its 2009-2010 season, where he directed a production of Pergolisi’s La Serva Padonra. Newton’s recent work includes a stint as director/dramaturge for Bella: The Color of Love with Teresa Tova and Mary Kerr at the Philadelphia Theatre Company. It was a commission for the 2011 Philadelphia International Festival of the Arts.

The show is being supported by the Toronto Arts Council, the Ontario Arts Council, the Next Stage Theatre Festival and Buddies in Bad Times Theatre.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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