The saying, “looking at things with fresh eyes”, may be more than just a metaphor, according to new studies led by Professor Kari Hoffman of 91ŃÇɫ’s Centre for Vision Research, which have been published in scholarly journals.

Left: Kari Hoffman

While searching for experiments to use in a research methods course, Hoffman took a fresh look at an old visual perception test and realized it might hold a clue to understanding how we see things and when we remember them. Hoffman says the insight came when she was reviewing results of a flicker-change blindness test, a simple classroom experiment used to show how difficult it is for people to see the difference in two almost identical images or scenes. She realized that what was once a trick of the eye was no longer effective due to her memory of the images.

That led Hoffman and biology graduate student Vivian Chau (right) to develop an experiment that would monitor the eye movement of test subjects as they tried to solve the visual puzzle. What they found was striking: when the viewer remembered the image, the eye movement that indicated the time it took to search and locate the part of the scene that had changed was dramatically reduced compared to when they were viewing it for the first time. This suggested that it was possible to tell when a person was looking at an image for the first time and when they recognized it from memory.

“Not everyone shows the fast search times, though,” says Hoffman. “A participant with amnesia failed to remember the changing objects and his eyes told the story. This participant had suffered damage to his medial temporal lobe, a region which is especially affected in Alzheimer’s patients and has been associated with memory function in healthy aging,” said Hoffman. “So we now have a task to help us study how that brain region functions to support memory formation.”

The study results were published in Frontiers in Behavioral Neuroscience ().

After seeing that eye movements could reflect memory, the outcome of brain processing, Hoffman and her lab team wondered if eye movements might also take part in influencing the inputs – how our brain processes images. In a second study, she and psychology graduate student Adrian Bartlett (right) found that eye movement is also an indication of the brain gearing up to process an image – a kind of neural “smart refresh” that created optimal conditions for seeing.

Hoffman says there is a noticeable change in a subject’s brain wave patterns when images are viewed with moving eyes as opposed to the more standard experimental method of viewing images with a fixed eye. “The neural populations become more synchronized,” she explains, “this can make processing an image easier and faster.”  They found that the brain has a kind of “smart refresh” period when it gets ready to process visual information. If the presentation isn’t synched to that cycle, the brain is not as good at processing the image.

Designers of learning materials can use this knowledge to create visual presentations that interact with a viewer’s movements, making the displays more easily processed and therefore more effective. The study was published in the Journal of Neuroscience ().

Illustration above shows the path the viewer’s eyes followed when scanning the photo for the first time and then again the next day

“Although scientists often study movement as a separate process from perception and cognition,” Hoffman says, “our results reveal examples of how eye movements are intertwined with perceptual and cognitive processes. In both studies, the eye movements give us a more complete picture of perceptual and memory processes,” Hoffman explains.

Exercising the brain in this way, Hoffman says, may be optimal for neural rewiring or “plasticity” that leads to better learning, more efficient performance and recovery after loss of function, such as following stroke. “This provides support for a more integrative view of brain function – one in which actions help shape brain performance.”

For more information on the Perception & Plasticity Lab, visit their website.

The studies, which were conducted in collaboration with researchers Jennifer Ryan, Shayna Rosenbaum and Nikos Logothetis, were funded through an NSERC Discovery Grant and an Ontario MRI Early Researcher Award. Hoffman is a professor in psychology & biology in 91ŃÇɫ’s Faculty of Health and a member of the Neuroscience Graduate Diploma Program.

Republished courtesy of YFile– 91ŃÇɫ’s daily e-bulletin.

The post Roving eyes help us see things better and faster appeared first on Research & Innovation.

Uppal (BA Hons. ’97, PhD ’04) is the guest editor of this year’s Best Canadian Poetry in English series (Tightrope Books) set to launch Wednesday, Oct. 26, at 7pm at , 783 College St. at Shaw St. in Toronto. The 91ŃÇÉ« launch will take place Monday, Oct. 31, from noon to 2pm, in the Paul Delaney Gallery, 320 Bethune College, Keele campus.

As the series’ fourth editor, Uppal follows Governor General’s Literary Award-winner Stephanie Bolster, Griffin Prize winner A.F. Moritz and Lorna Crozier. The 2012 guest editor will be announced at the first launch. Poet Molly Peacock, the author of six volumes of poetry, is the series editor.

“We write a lot of humorous poetry,” says Uppal. The problem is there seems to be a bias toward the more serious poems. “Humour and comedy are not always appreciated for how hard they are to write.” Take John Creary’s poem “Horoscopes”: “that’s the kind of poem people would share with others and would put up on their bulletin boards.”

In addition to humourous works in the 2011 edition of Best Canadian Poetry, Uppal was determined to look beyond lyrical poems to some more avant garde work. “This is the first anthology in the series with collages of text and images, as well as visual poetry by Christian Bök.” There is even a sound poem on the long list.

The short list of 50 poems is what’s published in the anthology, while the long list is bibliographic information for an additional 50 poems of note. “I’ve tried to include a vast range of poems that would please any poetry reader,” says Uppal.

To come up with the 100 poems, however, was no easy task. Uppal read everywhere. “I dog-eared any poem I was interested in,” says Uppal. “I had two to three hundred poems by the end.” And those had to be whittled down further still. “I reread that stack several times. There were poems that were shoo-ins because they just stood out that much.” She tried to choose a range of styles, subject matter and writing traditions that represented Canadians writing today. “It was a really satisfying and interesting process,” says Uppal.

Left: Priscila Uppal

As for the Canadian penchant for bears and guns and fruit, Uppal decided to include the best poem for each category. So there is a poem, a philosophical mediation, by 2010 Griffin Poetry Prize-winner Karen Solie, who taught at 91ŃÇÉ« last year, called “Birth of the Rifle”. Another is a delightful ode to fruit by Al Rempel, called “We Love Bananas”, and a beautiful parable by Tom Wayman, “Fable of the Child Who Went into the Mountain”, about a girl left alone at a cottage who is forced to kill a bear that breaks in. Later in life, it’s a man who comes after her.

Also in this year’s anthology are poems by Steven Heighton, Dennis Lee, Eric Ormsby, Patricia Young, 91ŃÇÉ« humanities Professor Richard Teleky, Shane Rhodes, Jonathan Ball, as well as emerging poets Peter Chiykowski, who wrote “Notes from the Canary Islands” about doing environmental research, Andrew Faulkner, who wrote the drinking poem “Bar Fight” – what Uppal calls a “playful and surreal poem” – Julie Cameron Gray, who wrote the tongue-in-cheek “Widow Fantasies”, Sean Howard and Andrea Ledding.

“I now have some new favourite poets,” she says.

Uppal is the author of eight books of poetry, including Winter Sport: Poems (2010) and Traumatology (2010); the novels To Whom It May Concern (2009) and The Divine Economy of Salvation (2002), as well as a critical study on elegies, We Are What We Mourn (McGill-Queen’s University Press, 2009). In 2010 she was CANFund poet-in-residence during the Vancouver Olympics and Paralympics.

For more information, visit the website.

By Sandra McLean, YFile writer

Republished courtesy of YFile– 91ŃÇɫ’s daily e-bulletin.

The post Professor Priscila Uppal edits 2011 edition of The Best Canadian Poetry appeared first on Research & Innovation.