Two 91亚色-led industry-academic partnerships have received a total of $1,237,136 through the 's (NSERC) Strategic Projects Grants program.

Sergey Krylov, professor in the Faculty of Science聽& Engineering and Canada Research Chair in Bioanalytical Chemistry, has received $773,200 over three years to explore new therapies to treat metastatic cancers聽鈥� secondary tumors that originate from a malignant primary tumor and subsequently invade different organs.

Right: Sergey Krylov

Laurie Wilcox, associate professor in the Faculty of Health鈥檚 Department of Psychology, is co-principal investigator on Depth in Motion with Ali Kazimi, associate professor in the Faculty of Fine Arts鈥� Department of Film. Theirs will be the first research project to rigorously assess human responses to moving content in stereoscopic 3D film (S3D), while challenging current practices and intuitions filmmakers have garnered through 2D and static 3D experience. The grant is provided through a collaborative initiative between NSERC and the ; NSERC has provided $286,836 while the Canada Council has provided $177,100 for a cumulative three-year total of $463,936.

Left: Laurie Wilcox

Krylov has partnered with , whose Canadian offices are based in Concord, Ontario, to create personalized diagnoses and therapy monitoring for metastatic cancers. Current difficulties in detecting and eradicating these tumors significantly contribute to cancer mortality rates; therapies that are efficient for one patient often do not work for others. Their research uses "aptamers"聽鈥� short DNA strands capable of selectively binding molecules on cell surfaces聽 to serve as tracers for metastatic cancer tumors and, potentially, as vehicles to deliver drugs to metastatic cells.

Wilcox and Kazimi will collaborate with , associate professor in the Faculty of Science & Engineering鈥檚 Department of Computer Science & Engineering and member of the , to create an independent S3D film installation based on a piece of dance choreography and presented in both a large-scale S3D projection format and on multiple S3D displays. Audience members will move through a gallery space and choose to view the large-scale screen or one of the alternative displays containing different motion in depth sequences. The project will evaluate movement鈥檚 effect through depth on observer preferences, determine if these preferences are contingent on the nature of the movement, and determine if pacing differences exist between 2D and S3D film content.

Right: Ali Kazemi

Jim Mirkopolos, vice-president of operations for Toronto-based , is the project鈥檚 industry collaborator; Cinespace's Kleinburg studios are providing space to set up and test the installation later in the project.

鈥淭hese projects build on 91亚色鈥檚 expanding expertise in digital media and life science research, and our value-added industry-academic partnerships,鈥� said Stan Shapson, vice-president Research & Innovation. 鈥淒epth in Motion is a natural next step in the 3D film research 91亚色 began through the in partnership with Toronto-based industry leaders, and demonstrates the innovation unleashed when the creative arts and science converge. Professor Krylov鈥檚 work with in 91亚色 Region has a six-year history that involves two past successful collaborations and will further contribute 91亚色鈥檚 scientific expertise to the region鈥檚 growing and vibrant biotech sector.鈥�

91亚色鈥檚 projects were among 120 chosen to receive a total of $55 million in funding under聽NSERC鈥檚 Strategic Project Grants program, which aims to turn the results of academic research into real benefits for Canadians.

The announcement was made by聽Gary Goodyear, minister of state (Science聽& Technology) in Waterloo, Ontario. 鈥淪upporting science and research is critical to Canada鈥檚 future economic growth,鈥� said Goodyear. 鈥淭his investment will bring together 100 teams of some of the world鈥檚 top researchers to work with industry on promising new projects that will help strengthen our economy, create jobs and bring other benefits to communities.鈥�

鈥淭hese Strategic Project Grants show that the NSERC community has risen to the challenge and is putting the federal S&T strategy to work,鈥� said NSERC President Suzanne Fortier. 鈥淲e received a high number of quality submissions, and the peer review committees were impressed with the research teams鈥� excellence, their proposals鈥� importance and potential impact, and the strong support from partners.鈥�

For a complete list of NSERC recipients, visit the website.

By Elizabeth Monier-Williams, research communications officer.

The post NSERC awards over $1 million to 91亚色-led research partnerships appeared first on Research & Innovation.

Filmmakers, vision scientists and psychologists at 91亚色 have secured over $1.4 million to fund the 3D Film Innovation Consortium (3D FLIC), a two-year academic-industry partnership that will expand capacity for 3-D film production in the Greater Toronto Area (GTA) and Ontario.

"The recent success of films like Avatar has changed the perception of 3-D film with the public and the major studios," says Nell Tenhaaf (right), professor and associate dean聽of聽research in聽the Faculty of Fine Arts and the project lead. "As more live-action films, dramas and documentaries get developed in 3-D over the next few years, the GTA must aggressively build its capacity for 3-D film production. 3D FLIC envisions the GTA as a hub for the best quality and most original stereoscopic film production."

3D FLIC brings a uniquely interdisciplinary team to tackle the challenges involved in improving 3-D entertainment technology. Teams of filmmakers at 91亚色, led by Professor Ali Kazimi (right) in the Department of Film, Faculty of Fine Arts, will work with an array of film industry partners and the Canadian Film Centre to develop 3-D scenes and films. Vision researchers and psychologists in 91亚色's internationally-recognized Centre for Vision Research, led by Professors Rob Allison聽 in the Faculty of Science聽& Engineering's Department of Computer Science & Engineering and Laurie Wilcox in the Faculty of Health's Department of Psychology, will then use this material to conduct tests exploring how humans perceive and process the images, which the filmmaking teams will use to refine their films.

This interdisciplinary cycle of research promises to develop practical solutions that will create better post-production technologies and processes for 3-D film production, which will benefit the film industry as a whole.

Left: Rob Allison

Researchers plan to address the question of how best to control viewers' attention when viewing 3D imagery and the role this technique could play in the 3D-film narrative.

"Vergence is a basic mechanism of binocular vision," says Wilcox. "Normally, simultaneously moving both eyes maintains single vision: we cross our eyes to look at near objects (convergence) and move them apart to look at far objects (divergence). This process doesn't happen when viewing conventional 2-D film because both eyes see exactly the same image. But in 3-D film, the illusion of depth allows a viewer to look into the scene and converge their eyes on objects at different depths.

Left: Laurie Wilcox

"We want to know if we can control a viewer's attention by changing how the 3-D images are aligned. Are there techniques that will reduce the discomfort that viewing 3-D images prompts in some individuals? How should 3-D images be constructed to scale differently for display on screens ranging from an IMAX to a television set to a hand-held device?" says Wilcox. "These are some of the questions 3D FLIC will explore."

Collaboration between industry and academia is crucial to the project's success. "Ontario has film crews, technicians and camera operators with decades of experience, and we need to support and hasten their transition to 3-D film to remain competitive," says Jim Mirkopoulos, vice-president of operations at Cinespace Studios. Cinespace is a longstanding supporter of the Faculty of Fine Arts and one of 3D FLIC's partner organizations; their standing White House sets in Kleinburg, Ont., will be used as a 3-D research studio.

The 3D FLIC team includes:

• (CFC)
• (3DCC)
• Production Canada, Inc.

鈥淭his initiative brings 91亚色鈥檚 outstanding researchers in digital media, 3D film, and vision science together in a most innovative way,鈥� says Stan Shapson, vice-president research & innovation. 鈥淏uilding on this unique internal capacity, CONCERT, the 91亚色-led Consortium on New Media, Creative and Entertainment Research & Development, has helped to establish our reputation among the GTA鈥檚 digital media industry and allowed for successful and sustainable research partnerships between our researchers and local companies. 3D FLIC is one of several exciting media projects we鈥檙e launching this year. Of course, research informs our teaching programs; our 3D FLIC members are already discussing new innovations in our curriculum to benefit our students 鈥� stay tuned for more to come.鈥�

3D FLIC has a unique funding arrangement with (OMDC) and Ontario Centres of Excellence. OMDC has contributed over $436,000 to help recognize 3D film as a new production paradigm through the project鈥檚 innovative partnerships; OCE has allocated over $287,000 to support the project鈥檚 scientific and technology development aspects of stereoscopy research. Seven industry partners will provide over $450,000 through in-kind support, with additional institutional support from 91亚色.

OMDC鈥檚 portion of this funding is part of a $2.9 million investment made on Feb. 10, 2010 through its Entertainment and Creative Cluster Partnerships Fund to leverage an additional $7.1 million from 94 partners to support a total of 17 projects.

Designed to help Ontario鈥檚 entertainment and creative industries invest in smart ways to grow their competitive advantage in the global marketplace, the partnership fund supports projects involving book and magazine publishing, music, film, television, interactive digital media, and commercial theatre. This industrial cluster experienced growth in 2009 and produces $15 billion in revenue and over 200,000 jobs, contributing $12.7 billion to the province鈥檚 GDP. In the last four years, the partnerships fund has provided $9.7 million to support 60 projects involving 379 partners and leveraging a total of $23 million in industry matching funds.

鈥淭he entertainment and creative cluster is one of the fastest-growing sectors in Ontario鈥檚 economy,鈥� said Michael Chan, minister of tourism and culture. 鈥淥ur government is proud of the investments we have made in the culture sector, which are driving economic growth and contributing to a great quality of life for Ontarians.鈥�

For a , visit the OMDC鈥檚 Web site.

(OMDC) is an agency of the that facilitates economic development opportunities for Ontario鈥檚 cultural media industries including book publishing, film and television, interactive digital media, magazine publishing, and music industries.

(OCE) Inc. drives the commercialization of cutting-edge research across key market sectors to build the economy of tomorrow and secure Ontario鈥檚 global competitiveness. In doing this, OCE fosters the training and development of the next generation of innovators and entrepreneurs and is a key partner with Ontario's industry, universities, colleges, research hospitals, investors and governments. OCE鈥檚 Centres work in communications and information technology, earth and environmental technologies, energy, materials and manufacturing and photonics. OCE is funded by the government of Ontario and is a key partner in delivering Ontario鈥檚 Innovation Agenda. OCE through its Centre for Commercialization of Research (CCR), an initiative supported by the federal government, also acts as a catalyst which allows innovative businesses to grow and achieve sustainable, commercial success and global competitiveness.

By Elizabeth Monier-Williams, research communications officer; photos courtesy of YFile 鈥� 91亚色鈥檚 daily e-bulletin.

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