Trombonist Ron Westray, Oscar Peterson Chair in Jazz Performance in 91��ɫ’s Department of Music, returns to Toronto’s Massey Hall on Thursday, Feb. 23 for an innovative youth outreach program.

He will lead “Rhythm Counts”, an invitational workshop for young people, just before his former bandmates, the Jazz at Lincoln Center Orchestra led by Wynton Marsalis, take centre stage to perform the highly-anticipated .

Ron Westray

Called , the arts and education outreach program presented by the Corporation of Massey Hall and Roy Thomson Hall provides complimentary tickets for selected concerts to youth who might otherwise be unable to attend. The program, now in its 13th season, aims to enhance and broaden students’ musical horizons by exposing them to world-class performers and related pre-concert demo-workshops by noted local performers/educators.

Westray has invited 91��ɫ music grad and multiple Juno Award-winning jazz saxophonist Mike Murley to co-host the 30-minute workshop, to be held in Massey Hall’s intimate Century Lounge. The session is designed to demonstrate the language of jazz and the art of improvisation, to prepare the students for the mainstage performance. Together, Westray and Murley will present an informal mix of commentary, musical demonstrations and historical highlights, followed by a Q&A. Tickets for the workshop and concert have been distributed to more than 150 music students, ranging in age from 12 to 17, at selected schools and community groups in the Greater Toronto Area.

“I was thrilled to be invited to take part in Share the Music and connect with these young people,” said Westray. “I come from the performance world, and it’s always a pleasure to have the opportunity to play, plus the chance to talk about the music with a fresh audience.”

Westray in performance at the Lincoln Arts Center

“We’re delighted to have Professor Westray on board for this event,” said program coordinator Laraine Herzog. “He’s a perfect fit, seeing as he was lead trombonist with the Jazz at Lincoln Center Orchestra for so many years. His reputation as an incredible performer and educator precedes him – not to mention his connection with Oscar Peterson, a true Canadian musical hero, through his position at 91��ɫ.”

Prior to joining 91��ɫ, Westray toured internationally with the Jazz at Lincoln Center Orchestra for more than a decade, including a number of performances at Massey Hall.

“Wynton [Marsalis] deserves every honour for his immense accomplishments in building the JLCO, its reputation as one of the finest jazz ensembles in the world, and its remarkable touring reach,” said Westray. “I was in the audience when they played Massey Hall last year, and it was like seeing my family from the other side of the fourth wall. I’m looking forward to seeing these guys play once again, and to helping a new young audience develop a deeper connection to a band and a musical repertoire I feel so strongly about.”

As well as a performer, Westray is an accomplished composer and recording artist. His commissions for the Lincoln Center Jazz Orchestra include the monumental score Chivalrous Misdemeanors – Select Tales from Don Quixote (2005) and arrangements of the works of Charles Mingus and Ornette Coleman. He is well known for his collaborations with Wycliffe Gordon, and has also appeared in concert with such luminaries as Ray Charles, Bob Dylan, Willie Nelson, Stevie Wonder, Benny Carter, Dewey Redman, Roy Haynes, Randy Brecker and a host of other pre-eminent artists. A regular on the New 91��ɫ City club circuit, he has played premier jazz venues such as the Village Vanguard, Blue Note, Sweet Basil’s, Iridium, Jazz Standard and Smalls, and is a standing member of the Mingus Band. In 2009, he joined 91��ɫ’s music department, where he teaches in the jazz program and co-directs the 91��ɫ Jazz Orchestra.

Next month, Westray is participating as soloist and clinician at the prestigious Savannah Music Festival. On March 25, he appears as guest soloist with the 91��ɫ Wind Symphony, performing Rimsky-Korsakov’s Trombone Concerto under the baton of 91��ɫ music Professor William Thomas.

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Director Vikki Anderson (left), of Toronto’s DVxT Theatre Company, commissioned playwright and actor Rick Roberts to rework this tragicomic roller coaster ride on the subject of relationships. Witness the rich behaving badly Nov. 6 to 12 in the Joseph G. Green Studio Theatre in the Centre for Film & Theatre at 91��ɫ.

Lady Brute, the titular wife, is trapped in a loveless marriage with a beastly, gambling, drunken oaf. Should she leave? Should she take a lover? The sharp wit and farcical situations notwithstanding, the play asks a serious question: What to do about an unsuccessful marriage in a society where divorce is impossible.

Keeping the original 17th-century setting and the language of the day, the adaptation reorganizes some of the play’s structure and adds depth to a number of the characters.

Right: John Vanbrugh

"I chose The Provok’d Wife for the intelligence of Vanbrugh’s writing, his contemporary ideas about marriage and his wonderful parts for women," says Anderson. "Rick Roberts was a natural to approach for this project, as he showed an amazing facility with the language and style of the period in DVxT workshops leading up to this creation.

"Restoration comedies are plays about young people and their problems with love and money as they make their way in the world," she says. "So Theatre @ 91��ɫ is a perfect fit, giving rising young performers the opportunity to bring their energy, vitality and passion to these characters."

An award-winning theatre director, designer and producer, Anderson is the founding artistic director of DVxT Theatre Company. To date, her company has earned 12 Dora Awards and 19 nominations. Anderson’s work for DVxT includes the multi-award-winning production of Ibsen’s A Doll's House, adapted by John Murrell, the acclaimed Soulpepper production of Happy Days starring Martha Burns, and most recently, a site-specific production of The Turn of the Screw at the Campbell House Museum. She is the associate director of The Misanthrope at the Stratford Shakespeare Festival this season.

Anderson directs a lively young cast drawn from the Undergraduate Acting Conservatory in 91��ɫ’s Department of Theatre. A talented creative team of undergraduates is handling all aspects of the production design and execution.

Each year, Theatre @ 91��ɫ mounts a challenging and entertaining slate of plays, featuring some of Canada's most promising performance and production talent. Established in the Department of Theatre at 91��ɫ in 1969, it has been a springboard for a generation of outstanding Canadian theatre artists. Theatre @ 91��ɫ alumni include stage and screen actors Rachel McAdams, Thom Marriott, Tamara Bernier, Patrick Galligan, Melody Johnson, Deborah Hay, Maurice Dean Wint and Christine Horne; playwrights Djanet Sears and Diane Flacks; and directors Richard Rose and Jillian Keiley.

The play previews Nov. 6 and 7 at 7:30pm, opens Nov. 8 and runs until Nov. 12. Performances are 7:30pm nightly, plus matinees Nov. 9 and 11 at 1pm. Tickets are $17, students and seniors $12. Preview tickets are $5.

For tickets, contact the Box Office at 416-736-5888.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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