Hosted by the 91��ɫ Libraries, interPLAY will take place Monday, March 26, from 9am to 7pm, in��the Senate Chamber, 940 South Ross Building, and the Scott Library on the Keele campus.��

The symposium is informed by the ongoing publication of the , an experimental online catalogue raisonné (or complete list) currently being developed at the 91��ɫ Libraries by Adam Lauder��(left), the University's inaugural��W.P. Scott Chair for Research in e-Librarianship.

Lauder is working to develop the catalogue raisonné with��Canadian Conceptual artist (the artist recently added the ampersand to his name),��and an international team of collaborators.��The development of the catalogue offers an ideal��opportunity to respond to the visionary information art of IAIN BAXTER& with fresh approaches to information, information technology, and library and information science from across the disciplinary spectrum.

Inspired by Canadian scholar and philosopher Marshall McLuhan’s transformation of information theory, from a “matching” model of communication to one of active “making”, IAIN BAXTER& began in 1966 to explore the creative possibilities of “information” as a medium.��The 45-year process of exploration that followed has led��the��conceptual artist��to engage with, and creatively reinterpret, information concepts across a range of disciplines, including business, computing, and linguistics.

Marshall McLuhan

University��of British Columbia English Professor��Richard Cavell, author of McLuhan in Space: A Cultural Geography (University of Toronto Press, 2003) will present the symposium's keynote address. Cavell's book was the first to��propose that Marshall McLuhan be read as a spatial theorist.

To learn more about other presenters and symposium proceedings and to register, visit the website.����

More about Adam Lauder

Lauder has joined the Libraries for a two-year term as the first W.P. Scott Chair for Research in e-Librarianship. He holds a master in information studies��from the University of Toronto and a masters in��art history��from Concordia University.

His research project encompasses many areas of e-librarianship including critical information studies, digital archives, scholarly communication and metadata standards. Lauder is applying��the catalogue raisonné publication model in an online environment, with a focus��on IAIN BAXTER&.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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The AGYU invites you to "surge out there" as it joins with Raqs Media Collective: technological poets for an India in transition, to present their newest exhibit ��Surjection.

Of the current generation of Indian artists, the from New Delhi (Jeebesh Bagchi, Monica Narula, Shuddhabrata Sengupta) are among the best known and most widely exposed in the west – and certainly the most media conscious. Having started as documentary filmmakers, over the past��20 years they have evolved a sophisticated, and sometimes performative, practice that combines film, media, audio and text, all of which draw upon philosophy and political theory, in installations of an unresolved poetics.

Right: Members of the Raqs Media Collective, from left, Shuddhabrata Sengupta, Jeebesh Bagchi and Monica Narula

The Raqs Media Collective exhibition, Surjection, opens with a free public reception tonight, from 6 to 9pm at the Art Gallery of 91��ɫ. The��artists will be at the reception.

The collective describes their��AGYU exhibition this way:��“Raqs Media Collective delights in transposing the plenitude of the incalculable onto the fabric of the ordinary. By counting to infinity, sensing animation in stillness and speaking in the language of silence, Raqs will breathe numbers, figures, proverbs and stories into the galleries of the Art Gallery of 91��ɫ.”

In this exhibition of entirely new work, the artists start with traces that are minimal but that contain great amplitude within them, such as the palm print of Raj Konai – the ancestral trace (from 1859) of the entire history of forensic identification – that hovers over the exhibition. Now animated, this image of a counting hand initiates a series of moves that the viewer animates through the exhibition. At the same time, the viewer witnesses other evolutions in video projection where stillness itself slowly is animated. Surjection begins outside, in AGYU Vitrines and occupies both galleries.

The elements of the exhibition are in a surjective relationship to each other. “Surjection” is a mathematical concept devised by the Bourbaki Group, whereby the elements of one set are applied, transposed, or mapped onto those of another set. Surjection continues until Sunday, Dec. 4.����

Surject yourself onto the Performance Bus

It’s an entirely different experience of numbers and letters on the Bingo Dilemma Bus. The game starts tonight at 6pm sharp when��the Performance Bus departs the Ontario College of Art & Design University campus at��100 McCaul St.. Riders��gather the clues to the game on the way to the Raqs Media Collective exhibition opening at the��AGYU. Artist and game host��Oliver Husain will be on the bus calling out the game clues. Performance Bus returns downtown at 9pm.

Math too tough for you? Go back to school with��AGYU @ Art Toronto

The AGYU tricks or treats fair patrons with one of its specially commissioned installations featuring Toronto novelist Derek McCormack and Toronto artist Ian Phillips. The haunted schoolhouse is the outcome of an�� four-year project supported by the AGYU of H.A.M.S. (Holiday Arts Mail-Order School), which is a correspondence course (for the 1936-1937 school year) devoted to the holiday arts. Hallowe’enologists will be on hand to take your questions and offer demonstrations. Alumni are welcome.����

Virtually AGYU

The surjective relations continue online with the�� as independent Toronto curator Su-Ying Lee visits the studio of New 91��ɫ-based artist Alexandre Singh, whom she met in Paris this past summer while travelling in Europe. on her travels through Europe.����

Writing from the ash-filled Grimsvötn sky, Toronto artist counts down the rest of her days in Iceland as she��writes about��contemporary art and generous helpings of never-ending splendour, mind-blowing sunsets, migratory birds, half-shorn sheep, geothermal pools and more.��

For more information, visit the AGYU website.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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