The exhibition Will Munro: History, Glamour, Magic is about the history that Toronto artist based his work on and the history he was聽鈥撀爃is glam subjects and the glamorous one he was 鈥� and聽the magic dimension of his last work. Munro, who was a DJ, music promoter, activist,聽queer community catalyst, and visual artist, died in 2010 of cancer. He was just聽35 years old.

To celebrate his legacy, the聽AGYU opens a major retrospective exhibition this evening from 6 to 9pm with a celebration in the gallery space. All are welcome.聽The exhibition continues until March 11.

Above: Will Munro: History, Magic, Glamour, installation view,聽AGYU. Photograph by Cheryl O'Brien, courtesy聽Art Gallery of 91亚色

Will Munro: History, Glamour, Magic 聽concentrates on the multi-media work Munro produced after graduating from the Ontario College of Art & Design University (OCADU)聽in 2000, from his first exhibition Boys Do First Aid (2000) to his last, Inside the Solar Temple of the Cosmic Leather Daddy (2010).

It also captures his various signature underwear work (his handcrafted underwear made from heavy metal concert T-shirts); the banners of legendary queer performers such as Klaus Nomi and Leigh Bowery; his stitching collaborations with West Side Stitches Couture Club, Jeremy Laing, and others (which includes the restaging of The Pavilion of Virginia Puff-Paint, his collaboration with Laing made for the AGYU in 2004); his experimental films; the multitude of hand-made silkscreen posters that accompanied his DJ鈥檌ng and music promotions at his nightclub venues Vazaleen, Peroxide, No T.O., and Moustache. The dynamic exhibition will be punctuated by a collection of never before seen ephemera and archival material that stitches together the many vibrant activities of this non-stop artist. The exhibition is generously sponsored by Salah Bachir and Jacob Yerex.

Above: Will Munro: History, Glamour, Magic, installation view, AGYU. Photograph by Michael Maranda,聽courtesy聽Art Gallery of 91亚色

In conjunction with Will Munro: History, Glamour, Magic, AGYU continues to celebrate the legacy of Toronto鈥檚 feminist and queer communities聽with a series of collaborations, specifically commissioned projects and new alliances.

Get on the AGYU Performance Bus

Artist and DJ Syrus Marcus Ware turns the AGYU's Performance Bus into his memory of a circa 2001-2002 Friday night Vazaleen party that was hosted by Munro聽and artists Miss Barbrafisch and Rawbrt at the Elmocambo. Tonight, gallery guests can ride to the AGYU for the opening reception on a free聽performance bus departing OCADU at 6pm.

AGYU and the Feminist Art Gallery

An initiative between AGYU, Feminist Art Gallery (FAG) and The Power Plant, CInenova: All Hands on the Archive develops a dialogue between the work in the London-based feminist CInenova film and video collection and Toronto鈥檚 long-rooted feminist and queer histories as a means to access, activate and animate.Visit website for more information on the month-long project including: opening night screening on聽Feb.聽3 at The Department, 1389 Dundas Street West at 7pm that has been聽curated by CInenova Working Group member Emma Hedditch; An Audience of Enablers Cannot Fail sessions at FAG 25 Seaforth Avenue, side gate, on Feb. 4, 11, 18, and 25; and the closing party featuring a commissioned performance by Sharlene Bamboat, and special screening curated by artists GB Jones, Alex McClelland, Leila Pourtavaf, and Lex Vaughn on March 4 in the Gladstone Hotel Ballroom (1214 Queen Street West) starting at 8pm.

People, Power, Magic

In this AGYU 鈥渋n-reach鈥� project, Toronto artist John Caffery engages queer and trans youth through a direct dialogue with聽Munro鈥檚 ideas and artwork.聽Caffery was close to the source as a friend and collaborator in the West Side Stitches Couture Club and, like Munro,聽his practice moves across multiple communities and media, locating his aesthetics and politics in textiles, film, and music (his band is Kids on TV).

This collective, multi-disciplinary program features聽Caffery working with many members of Munro鈥檚 army of lovers 鈥� frequent collaborators and friends 鈥� including artists Scott Miller Berry, Lorraine Hewitt (aka Coco La Cr猫me), Luis Jacob, Jeremy Laing, and Zavisha, as well as the Toronto Kiki Ballroom Alliance, the recipients of the first annual Spirit of Will Munro Award. People, Power, Magic is dedicated to creating real opportunities for self-expression in order to provide a space for outcasts and freaks to thrive without fear. Program presented in collaboration with Supporting Our Youth (SOY).

The Art Gallery of 91亚色 is a university-affiliated public non-profit contemporary art gallery supported by 91亚色, The Canada Council for the Arts, the Ontario Arts Council, the City of Toronto through the Toronto Arts Council, and聽its membership.

The AGYU is located in the Accolade East Building, 4700 Keele Street Toronto. Gallery hours are: Monday to Friday, 10am to 4pm; Wednesday, 10am to聽8pm; Sunday from noon鈥�5pm; and closed Saturday. AGYU promotes LGBT positive spaces and experiences and all events are free and open to everyone.

For more information, visit the website.

Republished courtesy of YFile鈥� 91亚色鈥檚 daily e-bulletin.

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The event, Queering Theatre in Toronto, will take place Thursday, Jan 5, 2012, from 2 to 4pm in Winters Senior Common Room, 021 Winters College, Keele campus.

Right: Marie Rickard

Newton, a recently appointed Winters College Fellow, is the founding artistic director of Ecce Homo Theatre. His newest musical, , is scheduled to run from Jan. 5 to 15, 2012, as part of the 2012 Next Stage Theatre Festival at the Factory Theatre in Toronto.

Written and directed by Newton, Loving the Stranger or How to Recognize an Invert, introduces the audience to Montreal鈥檚 Peter Flinsch, a theatre designer, visual artist and gay survivor of Nazi Germany, who was arrested in 1942 for kissing a friend at a Luftwaffe Christmas party. It takes in everything from the cabarets of 1920s Berlin and the battle over gay marriage to the office of the Prime Minister, and is billed as a provocative expressionist cabaret.

鈥淭he goal of my work is to balance politics and entertainment, to combine dance, music, text and design into a total theatrical experience in the hopes of challenging my audience intellectually and emotionally,鈥� says Newton.

鈥淚 agree with Schiller's notion of the stage as a moral institution and I endeavor to create work on big themes for troubled times. My output as a playwright and director with Ecce Homo Theatre seeks to achieve intimacy through artifice using a queer aesthetic as a tool for destabilization, to draw attention to hypocrisy and deflate the un-ironic. As one of my former teachers, Charles Marowitz, once said, 鈥淟aughter can be a hammer-stroke in the hands of deft satirists.鈥�

Newton聽is聽a contributor to the forthcoming collection,聽TRANS(per)FORMING Nina Arsenault: An Unreasonable Body of Work (Intellect Ltd.), edited by 91亚色 theatre Professor聽Judith Rudakoff.

His previous work includes three consecutive productions for the SummerWorks Theatre Festival in which he was playwright and director of The Pastor Phelps Project: a fundamentalist cabaret, The Ecstasy of Mother Teresa or Agnes Bojaxhiu Superstar and Loving the Stranger or How to Recognize an Invert. Newton鈥檚 work has also been performed at the Rhubarb Festival 鈥� Leni Riefenstahl vs the 20th Century 鈥� and the Victoria Fringe Festival 鈥� Woyzeck Songspiel.

In addition, Newton was a participant in the inaugural presentation of The Ark at The National Arts Centre English Theatre in 2006, and is a past member of the聽BASH! Emerging Artist Program at the Canadian Stage Company, the Ante Chamber Creator鈥檚 Unit with Buddies in Bad Times Theatre and the Director鈥檚 Lab of the Lincoln Center Theater.

He has also served as apprentice director for the Ensemble Studio of the Canadian Opera Company for its 2009-2010 season, where he directed a production of Pergolisi鈥檚 La Serva Padonra. Newton鈥檚 recent work includes a stint as director/dramaturge for Bella: The Color of Love with Teresa Tova and Mary Kerr at the Philadelphia Theatre Company. It was a commission for the 2011 Philadelphia International Festival of the Arts.

The show is being supported by the Toronto Arts Council, the Ontario Arts Council, the Next Stage Theatre Festival and Buddies in Bad Times Theatre.

Republished courtesy of YFile鈥� 91亚色鈥檚 daily e-bulletin.

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