A catalyst for dialogue and healing is 91��ɫ film Professor Colleen Wagner’s Governor General’s Award-winning play . This electrifying drama was the inaugural production of Rwanda’s ISÔKO Theatre in the aftermath of the Rwandan genocide (see YFile, June 27, 2008).

Left: �����ٰ��������Jacqueline Umubyeyi, as Mejra in Colleen Wagner's The Monument. Photo by Nick Zajicek.

Translated into the local Kinyarwanda dialect and directed by , a former student in 91��ɫ’s Graduate Program in Theatre and the founding artistic director of ISÔKO, the play premiered in Kigali and toured throughout Rwanda. Harbourfront Centre’s presents the North American premiere of ISÔKO’s production (with English surtitles) at 91��ɫ Quay Centre in Toronto April 27 to May 1.

Intimately staged and accompanied by song and African drumming, The Monument tells the story of a young soldier who has been convicted of war crimes committed during a genocide. Just as he is about to be executed, a mysterious woman who is both his saviour and tormentor offers him freedom − at a price. Billed as a “profound excavation into the nature of forgiveness”, this highly physical and imagistic production paints a contemporary portrait of a country whose resilient voice continues to be a beacon of hope and reconciliation.

Shortly before The Monument opens at Harbourfront, a second play penned by Wagner – this one a very topical, made-in-the-moment riff on Canadian politics – hits another Toronto stage. Wrecking Ball 12: Are You Dying to Vote? swings into the electoral debate tonight at Toronto’s Theatre Centre – exactly one week before Canadians head to the polls.

is a fast and furious compendium of short works of political theatre. Playwrights hand over scripts to the directors and performers for rehearsal a mere week before the show, which is performed for one night only – usually to a fully-packed house. Founded in Toronto in 2004, The Wrecking Ball went national in 2008 when it was adopted in cities coast to coast.

Wagner is one of six writers contributing works “both strategically and from their hearts” to the current Toronto edition. The details of her piece have not yet been announced, but if The Wrecking Ball’s track record is any indication, it will be a part of a theatrical romp long remembered.

Showtime is 8pm. The Theatre Centre is located at 1087 Queen St. West at Dovercourt. Tickets are pay-what-you-can at the door.

Another catalyst for political dialogue is the latest work by 91��ɫ theatre professor and playwright Judith Rudakoff, which opened in Whitehorse on April 21. The River offers a vivid, poetic and unflinching glimpse into the intersecting lives of marginalized people in the community where it was created. Directed by Rudakoff’s colleague, Professor Michael Greyeyes, the production runs to May 1 at the Yukon Arts Centre Studio theatre.

Above: A map of Whitehorse drawn by Joseph Fish Tisiga, for the "Ashley Cycle" that inspired The River

The River was born out of Rudakoff’s ongoing -supported project Common Plants: Cross Pollinations in Hybrid Reality. In 2008, Rudakoff visited Whitehorse twice to lead her "Ashley Plays" workshop, in which participants collectively devise a cycle of short, site-specific performances that share a character named Ashley and a common theme – in this case, the theme of "home".

The material developed in those workshops was so compelling that the collaboration continued into subsequent years. Rudakoff worked with local artist Joseph Tisiga and David Skelton, artistic director of Whitehorse’s , a professional company dedicated to the development of live theatre relevant to northern audience to write the play. Nakai is producing it in partnership with the Yukon Anti-Poverty Coalition (YAPC).

The three artists drew inspiration for The River from both the extreme natural beauty of the Yukon and the ugliness that beauty can mask. Episodic and non-linear, the narrative is told by members of the largely untraceable "ghost population" of Whitehorse: a derelict vagrant, a missing high-school girl, a Tilley hat-wearing tourist, a transient worker and even an alien abductee. These disparate voices take the audience on an unbridled journey through a world of longing and belonging that is both real and imagined.

The production aims to promote conversation and action in the community. YAPC is actively inviting and offering free tickets to individuals who might never otherwise attend a production at the Yukon Arts Centre, as well as arranging a special invitational matinee performance at the local Salvation Army shelter. At the end of the run, YAPC and Nakai are co-hosting a community conversation to discuss the issues brought up in the play.

Republished courtesy of YFile– 91��ɫ’s daily e-bulletin.

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Reporting back to the communities was a condition of receiving IPY research funding in 2007, and after three years ecologist and political scientist Gabrielle Slowey were ready to deliver. When the two arrived by bush plane, citizens in Fort Simpson and Inuvik crowded into local meeting halls to hear them. Some had helped do the research, all were curious to hear the results.

Right: Dawn Bazely in a plane back to Yellowknife from Fort Simpson

“They were never going to read a report. They need to hear things orally,” says Bazely, director of 91��ɫ’s Institute for Research & Innovation in Sustainability.

Bazely led the Canadian component of an IPY project called (GAPS), investigating the effect of oil and gas development on northern communities. She oversaw teams of natural and social scientists investigating invasive plant species, housing security and homelessness, mental health services and the advantages of self-governance in indigenous communities in the Yukon and Northwest Territories.

"What was really unique about our program was no other had natural and social scientists working so closely in tandem from the beginning," said Slowey. Oil and gas was the context, human security or the well-being of these communities was the framework. The collaboration worked really well and achieved real results, she said.

Above: Gabrielle Slowey in front of the igloo church, Our Lady of Victory, an Inuvik landmark

Normally, denizens of these northern communities pay little heed as scientists from the south come and go, and never return to share their findings, says Bazely. This time they were all ears. The research offers them a glimpse of what is in store for them and ways they can deal with change. “It’s empowering,” she says.

Slowey agrees. “We’re not just taking knowledge away, we’re giving it back and helping them.” She also presented her findings in Whitehorse.

For the past three years, Slowey has been comparing the ability of self-governing versus non-self-governing indigenous communities to cope with change wrought by oil and gas development and exploration. After surveying residents, community leaders and industry  officials, she found self-governing communities, such as Old Crow, have more control over what happens to them. They can make their own decisions and negotiate directly with the territorial government over oil and gas development. Non-self-governing communities such as Tuktoyaktuk must deal with multiple levels of government to get anything done. “Self-government removes all those layers and gives more local empowerment.”

Left: Gabrielle Slowey

After her presentations in Whitehorse and Inuvik, people in communities such as Pelee Crossing, Yukon, and Sachs Harbour, Northwest Territories (NWT), sought Slowey's advice on how to proceed given mining exploration or oil exploration occurring in their area. "I highlighted not just onshore but offshore oil and gas development. It’s going to be huge."

Folks in the NWT were also curious about the potential impact of devolution (downloading of jurisdiction from Ottawa to the territories) on their self-government agreements and future development. It's a hot topic in the North and Slowey has pointed out in newspaper editorials how Ottawa bureaucrats are ill-prepared to make decisions about the North because they have no understanding of what life is like for the people who live there.

Moreover, she says, “we tend to think of people in the North as victims of policy instead of agents of change. I’m telling them they’re on the right track by pursuing self-government.” Do it now, she’s saying, before the territorial government embraces devolution. Yet it's not so easy, as local indigenous leaders scramble to keep up as Ottawa keeps changing the rules of the game.

Over the past three years, Bazely and her students have looked for evidence of invasive plant species in settlements from Fort Simpson, gateway to the Nahanni and home of the caribou, north to Norman Wells, Fort Good Hope and Inuvik. Oil and gas exploration and development has brought outsiders to the area and with them a foreign fungus that has infected the grass that caribou eat. Not good news for people whose diet depends on caribou meat. Bazely advised communities to revegetate the ground along the pipelines and roads with local seeds, not imported seeds. Doing so could lead to local – and sustainable – business opportunities, she told in Fort Simpson.

Above: The frozen Mackenzie River

The will be published in peer-reviewed academic journals, presented at conferences and spawn graduate theses, says Bazely. But the best value, she believes, comes from sharing it directly with local policy-makers and citizens.

By March, IPY research will be completed and next year the results will be shared at a Montreal conference, .

Bazely is editing a book, Environmental Change and Human Security in the Arctic, to which Slowey is contributing a chapter. By this fall, Slowey expects to finish editing a book, Rethinking Public Policy in the Northwest Territories, highlighting each of the Canadian GAPS subprojects.

The biologist and political scientist have embraced the IPY imperative to report back to the communities. They plan to share their IPY research findings with indigenous groups in northern Ontario and local groups in Pennsylvania, who are faced with shale-gas development.

By Martha Tancock, YFile contributor

Republished courtesy of YFile – 91��ɫ’s daily e-bulletin.

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