91��ɫ

The red carpet, towering talent, fabulous frocks and a rocking party atmosphere are all hallmarks of the Dora Mavor Moore Awards, presented annually by the Toronto Alliance for the Performing Arts to celebrate the city’s best theatre, dance and opera productions. This year’s edition, held June 24, featured a VIP pre-party at the Sony Centre for the Performing Arts followed by a full house at the awards show at the Bluma Appel Theatre in the St. Lawrence Centre for the Arts, overflowing onto Front Street for the after-party. As always, 91��ɫ talent was in the midst of the action.

Two dozen fine arts alumni and faculty were on the nominee list, several boasting multiple nominations in different award categories. Five were singled out by the juries as number one among the best of the year, striding across the stage to accept their bronze statuette to the cheers of their peers.

Santee Smith accepts the Dora for Outstanding Choreography

Santee Smith (MA ’04) picked up the prize for outstanding choreography for her work Susuriwka - willow bridge. Starting from a place of exploration of indigenous cultures, from Smith’s own Iroquois roots and Japan’s Ainu people, whom she met as part of a cultural exchange to Yokohama in 2010, the work pays homage to land, spirit and shared cultural beliefs.

The show, co-produced with Yokohama Noh Theatre and Woodland Cultural Centre and presented by Smith’s company, Kaha:wi Dance Theatre,  at Harbourfront Centre’s Planet IndigenUS festival, was also nominated for outstanding production and sound design/composition.

In her acceptance speech, Smith gave thanks for all the gifts that we have and our ability to celebrate our gifts together through performance. After the show she also gave thanks to 91��ɫ and her continuing connection to its students and faculty as a guest teacher.

“I worked on my first major production while doing my master’s degree,” Smith said. “My commitment to dance creation and the formation of my company have grown out of that. 91��ɫ gave me an amazing foundation for my work now.”

Playwright Adam Seybold (MFA ’05) received the Dora for outstanding new play for The De Chardin Project, a two hander in which he also co-starred. In this Theatre Passe Muraille production, Seybold and his collaborators, including director Ginette Mohr (MFA ’05), told the true story of paleontologist and Jesuit priest Pierre Teilhard de Chardin (1881-1955), who strove to connect his scientific discoveries about the origins of man to his faith but was condemned for his efforts.

Adam Seybold accepts the Dora for Outstanding New Play from fellow Theatre alum Heather Marie Annis of popular clown act Morro and Jasp

“This year marks my 10h in Canada and I spent my first years here at 91��ɫ,” said Seybold. “The people I met at 91��ɫ were so amazing, and the relationships I forged there have made everything I’ve done since possible.”

Michelle Ramsay (BFA ’97) took home her fourth Dora for her lighting designs for Buddies in Bad Times Theatre’s Obaaberima, which also won for outstanding production. Ramsay was also nominated for lighting design for Modern Times Stage Company’s The Lesson.

“Obaaberima was a very special show for me and I’m really pleased to win a Dora for it,” she said. “The collaborations on the piece were so important; it was an amazing team effort to make it come alive. Everyone on the show was an inspiration – not just for that production, but for working in theatre in general.”

Ramsay said she appreciates the network and relationships she developed during her studies at 91��ɫ, and also the positive role models she found in the theatre department.

“In addition to skills and theoretical knowledge, I think I learned a lot of my work ethic from the example of professors and staff,” she said.

Professor Mark Wilson (left) and David Matheson perform Harold Pinter's The Dumb Waiter on a Dora Award winning set designed and constructed by Theatre alumna Andrea Mittler. Photography by Dahlia Katz.

Dana Osborne (BFA’96) added another Dora to her trophy case with the prize for outstanding costume design for Soulpepper’s Rosencrantz and Guildenstern are Dead.

Set designer and scenic artist Andrea Mittler (BFA ’02) won for her work on Wordsymth Theatre’s The Dumb Waiter. She didn’t just take on designing the set – she also built and painted it.

“91��ɫ prepared me to be hands-on in a lot of different ways,” she said. “I think one of the strengths of the program is that the faculty members are working professionals. And I occasionally get to work with them now – including on this show.”

In addition to Mittler’s win, The Dumb Waiter netted Dora nominations for several 91��ɫ Theatre faculty, including instructor Melee Hutton (for direction), Professor Mark Wilson (for performance) and Professor James McKernan (for sound design).

“I think it was a really great example of a group of remarkable artists doing what they do best in a small space,” said Mittler. “The intimate theatre and the energy of the actors and audience made for a magical show.”

Given the high level of competition for the Dora Awards, even a receiving a nomination is brag-worthy. Other 91��ɫ nominees included:

• �ʱ�����ɰ�������ٲ��� Sky Gilbert (BA ’77), Ins Choi (BFA ’98), who was also nominated for directing, and Melody A. Johnson (BFA’89) who got a nod for performance;
• Director Soheil Parsa (BA ’89);
• Choreographers Monica Dottor (BFA ’98) and Sky Fairchild Waller (BFA ’09, BA ’10);
• Dancers Christopher House (BFA ’79) and Andrea Nann (BFA ’88) and actors Owais Lightwala (BFA ’12) and former 91��ɫ theatre student Tawiah McCarty, for performance;
• Designers Arun Srinivasan (BFA ’94), Charlotte Dean (BFA ’80),  Jason Hand (BFA ’05) and Professor Teresa Przybylski , who was nominated for two productions; and
• Thomas Ryder Payne (BA ’95), a double nominee for sound design/composition.

Former 91��ɫ theatre student Franco Boni, the general and artistic director of The Theatre Centre, received the 2013 George Luscombe Award for Mentorship for his dedication to nurturing new talent and boundary-pushing works.

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