Professor Philip Hoffman, faculty member in the Department of Cinema and Media Arts in the School of Arts, Media, Performance & Design (AMPD) at 91亚色, is among eight winners of the . The news was announced on March 7 by the Canada Council for the Arts.聽Hoffman was nominated by his colleague Professor Michael Zryd, also of the Department of Cinema and Media Arts at 91亚色.
All Fall Down (2009) - Philip Hoffman
Chimera (1995) - Philip Hoffman
The award recognizes outstanding career achievement in categories including artistic achievement in visual and media arts, fine craft, and outstanding contribution. Recipients receive a $25,000 cash prize, and a presentation of a medallion by the Governor General of Canada David Johnston. The ceremony takes place on March 23 at Rideau Hall.
Philip Hoffman shooting at the Berlin Wall, 1987
鈥淭he Governor General鈥檚 Awards in Visual and Media Arts celebrate Canada鈥檚 leading artists and most dedicated supporters of the arts,鈥 said Johnston. 鈥淓ach laureate has a unique visual language that enriches our culture and strengthens our nation. These awards highlight Canada鈥檚 long tradition of recognizing and encouraging talent, creativity and dedication.鈥
鈥淭he special recognition the Governor General's Award bestows on Professor Hoffman is exceptionally well deserved. Phil's unique, highly personal form of cinematic expression brings us to an utterly human place, where the rational and emotive intellects intersect to form a heightened common language of memory, place, love, loss and mortality,鈥 said AMPD Dean Shawn Brixey. 鈥淲e join in celebrating Phil's remarkable work and thank him for the artistic inspiration and invention he shares with us and the world.鈥
Hoffman said he is honoured to receive this award for the work he has been building for 35 years, and for the development of his workshop, The Independent Imaging Retreat (also known as the Film Farm), over the last 20 years. He was nominated by聽Micheal Zryd, associate dean, Academic, Faculty of Graduate Studies.
鈥淧hil鈥檚 incredibly rich body of work is a significant contribution to the canon of experimental cinema, and has inspired many filmmakers around the world,鈥 said Professor Ali Kazimi, chair, Department of Cinema and Media Arts. 鈥淗e's also a brilliant teacher; year after year, I've seen our students being inspired and transformed by his alternative film workshop courses. We are so proud to have him as a colleague.鈥
Hoffman also acknowledged the award as a nod to his communities 鈥 the fringe film and media communities of artists, curators and independent film and media exhibitors who make 鈥減ushing boundaries of film and media鈥 possible.
鈥淎lso, I must say I have been fortunate to be working/teaching within a vibrant department (Cinema and Media Arts) with colleagues that stimulate me and make room to develop my teaching and practice of 鈥榩rocess cinema鈥 鈥 the experimentation with narrative, documentary form, and audio-visual materials,鈥 he said.
鈥淚nitially I was interested in poetry and experiments in literature, and the process of developing photographs. This combination drove me full force into filmmaking,鈥 Hoffman said.
Slaughterhouse (2014) - Philip Hoffman
鈥淚 think one of the most important aspects I have been developing is the process of working without a script, letting the interaction of the camera with the world be the starting place for projects,鈥 said Hoffman. 鈥淚 collect images sometimes without knowing why, with a diaristic approach, and sometimes these images tell me where to go with a current project, or lead me into a new project. So doing comes before thinking, in a way.
鈥淭his is the heart of 鈥榩rocess cinema鈥 鈥 working with 鈥榗hance鈥 and spontaneity in every aspect of the project, adapting to the changes that time offers,鈥 he said. 鈥淚t鈥檚 an aspect of any filmmaking or artistic practice, but more visible and central within an experimental practice such as mine. It rubs up roughly against mainstream industrial filmmaking practices and suggests there is another way.鈥

On the Pond (1978) - Philip Hoffman
As a precursor to the March 23 ceremony at Rideau Hall, there will be a screening of some of Hoffman鈥檚 films in their original 16mm format projected on celluloid. This event, at Arts Court Theatre on March 22, is presented in partnership with the Canadian Film Institute with support from the National Gallery of Canada.
From March 24 to Sept. 4, the National Gallery of Canada will feature the 2016 #GGarts exhibition, which showcases selected works by this year鈥檚 winners.
For more on Hoffman and his work, visit .
By Ashley Goodfellow Craig, YFile deputy editor
