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One hundred years of evolution are etched into the walls of Glendon Hall, transforming a private home into a welcoming centre for learning where a century of shifting identities is woven into its foundation. 

In celebration of this milestone, the Ontario Heritage Trust unveiled a plaque on Dec. 3 honouring the building’s layered past – from its origins on Indigenous lands to an affluent Toronto family’s home, to its present role as a vibrant hub for 91��ɫ’s bilingual, globally minded campus. 

Thousands of students and staff have occupied Glendon Hall since it became the site of 91��ɫ’s first campus in 1959. But the property had a storied history decades before it became a place of learning. 

The Don River, called Wonscotanach by Indigenous communities – a name meaning the “burning bright light” river – was often lit by torches used for fishing, reflecting centuries of Indigenous presence and practices along its banks.

Around 1920, financier Edward Rogers Wood and his wife, Agnes “Phemie” Euphemia Smart – influential figures in Toronto’s early 20th-century financial and philanthropic circles – were charmed by the area and bought the property to build their home. 

They built an Italian-style mansion on the 125-acre property, 70 acres of which were cultivated into gardens, with the rest operating as farmland. They named their new home Glendon Hall, likely inspired by the property’s geography – a “glen” along the Don River. 

Inside featured an elliptical grand staircase illuminated from above by a skylight, an expansive music and billiards room that opened onto a rear patio with views over the surrounding ravine, and formal living and reception rooms that reflected the Woods’ taste for elegant entertaining. The interior also displayed one of Canada’s largest private collections of Dutch portraits and modern British paintings. 

When Phemie Wood died in 1950, she willed the estate – including Glendon Hall and its grounds – to the University of Toronto for educational purposes. In the late 1950s, as the newly established 91��ɫ sought a permanent home, the University of Toronto board offered to transfer the Glendon property to 91��ɫ, and Glendon Hall became the founding campus of 91��ɫ. 

Amid a period of educational expansion in Ontario, Glendon Hall provided the first dedicated space for students and faculty while the University prepared for its larger Keele Campus. The transformation from private manor to public institution began to unfold. 

By the early 1960s, students and faculty entered through the curved porte-cochère, passing beneath the same staircase that had once greeted the Woods’ guests. While new academic buildings on the campus housed most classrooms, Glendon Hall itself served as the administrative and library hub, connecting the historic estate to the emerging University. 

The grounds shifted around the new purpose. The twin gazebos, formal gardens and wide lawns became gathering spaces for students rather than guests. 

During this formative time, Glendon’s bilingual identity emerged. Founding principal Escott Reid, a former diplomat, envisioned the college as rooted in public affairs and Canada’s dual-language heritage. When Glendon was formally established as a bilingual liberal arts college in 1965, the 91��ɫ Senate approved that model, shaping the college’s direction when it opened the following year. 

Former prime minister Lester B. Pearson officially inaugurated Glendon in 1966 as 91��ɫ’s first campus, and it remains a unique institution within 91��ɫ’s multi-campus organization.  

Its commitment to bilingual education – with English and French as the foundation – is complemented by a broader and more flexible multilingual environment, giving students the opportunity to study additional languages, including Spanish and Anishinaabemowin. 

Over the following decades, Glendon Hall adapted to new roles. Rooms once filled with private art collections gradually became administrative offices, seminar rooms, student support services and the much-loved Café de la terrasse (now known as Café Lunik) and more recently a hub for student clubs and the Canadian Language Museum. The grand staircase has become a favourite backdrop for convocation portraits. 

It remained, however, a living heritage site, and in 2004, Toronto designers restored sections of the interior, reviving the building’s early grandeur while supporting educational programs. 

Through it all, the gardens have continued to flourish. The impressive Bruce Bryden Rose Garden recalls Phemie Wood’s care and provides a serene outdoor study space, while the surrounding ravine, forests and protected natural areas offer students and visitors a rare hush within the city. Instructors regularly use the park, river, trails and gardens as a classroom and source of study. 

The enduring presence and spirit of Glendon Hall, at the heart of the campus, contributes to this sense of calm and intimacy. The building and its grounds support Glendon College’s small class sizes, often only up to 24 students, and foster a close-knit academic community where students build strong relationships with professors and peers, creating an environment that encourages mentorship, experiential learning and hands-on engagement. 

Anchored in this historic setting, the college offers programs unique to Glendon, including professional translation, a bachelor of education specializing in French as a second language, and a dual-degree program in international studies and business administration. It also provides fully bilingual and trilingual degrees, as well as specialized certificates, making it distinct within Ontario and across Canada. 

Students learn in small discussion-based classes and gain hands-on experience through work placements and research projects. As Reid once envisioned, Glendon supports 91��ɫ’s goals in global engagement and inclusive learning, giving students the skills and experiences to pursue careers in diplomacy, public service, international business and cultural work. 

A century after its construction, Glendon Hall stands as a testament to learning and transformation. It carries forward the stories of generations of Torontonians, inspiring students, scholars, diplomats, gardeners, architects, historians. More than a landmark, it is a symbol of 91��ɫ’s evolution and the University’s enduring journey of growth. 

With files from Karen Martin-Robbins

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